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| LEADER |
00000cjm a2200000Ia 4500 |
| 001 |
ocm26465659 |
| 003 |
OCoLC |
| 005 |
20211007205032.0 |
| 007 |
sd fzngnn---e- |
| 008 |
920821t19891990xx zzn eng d |
| 999 |
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|c 147080
|d 147080
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| 020 |
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|c 15.98
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| 028 |
0 |
2 |
|a 73138 35602-2
|b Milan
|
| 028 |
0 |
2 |
|a 35602-2
|b Milan
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| 035 |
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|a (Sirsi) a355122
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| 040 |
|
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|a OCO
|c OCO
|d OCLCQ
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| 100 |
1 |
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|a Piazzolla, Astor.
|9 374167
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| 245 |
1 |
0 |
|a Maria de Buenos Aires
|h [sound recording] /
|c Astor Piazzolla.
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| 260 |
|
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|a [S.l.] :
|b AAB :
|b Sepa Milan,
|c p1989, c1990.
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| 300 |
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|a 1 sound disc :
|b digital ;
|c 4 3/4 in.
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| 500 |
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|a Compact disc.
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| 505 |
0 |
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|a Elevation (The invocation of El Duende) -- Maria's theme (Maria answers from the dead) -- Tito's theme -- Ballad for a crazy little organ (Gorrion Porteno - The sparrow of the poet tells Tito a story) -- Milonga of the annunciation (Maria's entrance) -- Fugue and mystery (The dispute between Gato and Gorrion) -- Valseado poem (Maria in a cabaret) -- Mob misery (The condemnation pronounced by Gorrion upon meeting the soul of Maria) -- The funeral contramilonga (The burial of Maria's body) -- The circus of analysts (Where the sould of Maria finds no answers in her memories) -- Fugue and mystery (The bordello of the puppets) -- At the Magic Bar (El Duende sends his message of love to Maria's soul) -- Elevation II (Sunday in Buenos Aires) -- The final alleluia.
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| 511 |
0 |
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|a Music, Astor Piazzolla ; Libretto, Horacio Ferrer ; Soprano, Rita Contino ; Mezzo-soprano, Rachel Esso ; Baritone, Jose Luis Barreto ; with other performers.
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| 650 |
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4 |
|a Tangos.
|9 358349
|
| 650 |
|
4 |
|a Operas.
|9 358315
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| 700 |
1 |
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|a Ferrer, Horacio Arturo,
|d 1933-
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| 700 |
1 |
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|a Contino, Rita.
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| 700 |
1 |
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|a Esso, Rachel.
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| 700 |
1 |
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|a Barreto, Jose Luis.
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| 901 |
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|a Z0
|b UV#
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| 942 |
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|c AUDIO
|2 ddc
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