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| LEADER |
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| 001 |
ocm01027723 |
| 003 |
OCoLC |
| 005 |
20141204201513.0 |
| 008 |
110816s1965 unk b 000 d eng d |
| 010 |
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|a 65029893
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| 035 |
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|a (Sirsi) a478217
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| 040 |
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|a DLC
|c OUN
|d DLC
|d UV#
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| 050 |
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4 |
|a PA3025
|b C52 1965
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| 082 |
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4 |
|a 882.009
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| 245 |
0 |
0 |
|a Classical drama and its influence :
|b essays presented to H.D.F. Kitto /
|c edited by M.J. Anderson.
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| 260 |
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|a London
|b : Methuen,
|c 1965.
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| 300 |
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|a ix, 277 p. ;
|c 23 cm.
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| 504 |
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|a Incluye bibliografías.
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| 505 |
0 |
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|a The poet and the mask, by T.B.L. Webster.--The chorus in the action of Greek tragedy, by A.M. Dale.--Tragedy and Greek archaic thought, by R.P. Winnington-Ingram.--Homer and Sophocles' Ajax, by G. Kirkwood.--Aristophanes: Originality and convention, by R. Harriott.--The vulgarity of tragedy, by L. Aylen.--Plautus, Terence and Seneca: a comparison of aims and methods, by W. Beare.--The Spanish tragedy and Hamlet: two exercises in English Seneca, by B.L. Joseph.--Towards a definition of form in drama, by H. Heffner.--Neo-classical drama and the Reformation in England, by G. Wickham.--Racine's response to the stagecraft of Attic tragedy as seen in his annotations, by W. McC. Stewart.--The classical tradition in Spanish dramatic theory and practice in the 17th century, by Duncan Moir.--The naturalist and the critical view of drama, by E.B. Pettet.--The fair theatres of Paris in the 18th century: The undermining of the classical ideal, by O.G. Brockett.
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| 530 |
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|a Disponible también en linea.
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| 590 |
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|a Colección Rodolfo Usigli: UNIDARTE-X.
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| 650 |
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4 |
|a Teatro clásico
|x Historia y crítica.
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| 650 |
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4 |
|a Mitología clásica en la literatura.
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| 650 |
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0 |
|a Teatro.
|
| 700 |
1 |
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|a Kitto, H. D. F.
|q (Humphrey Davy Findley).
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| 700 |
1 |
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|a Anderson, M. J.,
|e ed.
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| 776 |
0 |
8 |
|i Online version:
|a Anderson, Michael John, 1937-
|t Classical drama and its influence.
|d New York, Barnes & Noble [1965]
|w (OCoLC)643941119
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| 901 |
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|a Z0
|b UV#
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| 902 |
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|a DGBUV
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| 596 |
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|a 33
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| 942 |
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|c LIBRO
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| 999 |
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|c 247918
|d 247918
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