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Brecht on theatre : the development of an aesthetic /
| Autor principal: | |
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| Otros Autores: | |
| Formato: | Libro |
| Lenguaje: | English Undetermined |
| Publicado: |
New York :
Hill and Wang,
1964.
|
| Edición: | 1st ed. |
| Materias: |
MARC
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| 040 | |a DLC |c DLC |d UV# | ||
| 041 | 1 | |a eng |h und | |
| 050 | 0 | 4 | |a PN2021 |b B73 1964 |
| 082 | 4 | |a 792.082 | |
| 100 | 1 | |a Brecht, Bertolt, |d 1898-1956. | |
| 245 | 1 | 0 | |a Brecht on theatre : |b the development of an aesthetic / |c edited and translated by John Willett. |
| 246 | 3 | 0 | |a On theatre |
| 250 | |a 1st ed. | ||
| 260 | |a New York : |b Hill and Wang, |c 1964. | ||
| 300 | |a 294 p. : |b il., láms., fotografías ; |c 21 cm. | ||
| 504 | |a Incluye bibliografía (p. 284-285) e índice. | ||
| 505 | 2 | |a Part One 1918-1932, Frank Wedekind -- A reckoning -- Emphasis on sport -- Three cheers for Shaw --Conversation with Bert Brecht -- A radio speech -- Shouldn't we abolish aesthetics? -- The epic theatre and its difficulties -- Last state: Oedipus -- A dialogue about acting -- On form and subject-matter -- An example of Paedagogics -- The modern theatre is the epic theatre -- The literarization of the theatre -- The film, the novel and epic theatre -- The radio as an apparatus of communication -- The question of criteria for judging acting -- Indirect impact of the epic theatre -- Part Two 1933-1947, Interview with an exile -- Theatre for pleasure or theatre for instruction -- The German drama: pre Hitler -- Criticism of the New York production of Die Mutter -- On the use of music in an epic theatre -- Alienation effects in Chinese acting -- Notes to Die Rundkopfe und die Spitzkopfe -- On gestic music -- The popular and the realistic -- On rhymeless verse with irregular rhythms -- The street scene -- On experimental theatre -- New technique of acting -- Two essays on unprofessional acting -- Notes on the folk play -- Alienation effects in the narrative pictures of the Elder Brueghel -- A little private tuition for my friend Max Gorelik -- Building up a part: Laughton's Galileo -- 'Der Messingkauf': an editorial note -- Part Three 1947-1948, A short organum for the theatre -- Part Four 1948-1956, Masterful treatment of a model -- From a Mother Courage model -- Does use of the model restrict the artist's freedom? -- Formal problems arising from the theatre's new content -- Stage design for the epic theatre -- From a letter to an actor -- Some of the things that can be learnt fro Stanislavsky -- Theaterarbeit: an editorial note -- Notes on Erwin Strittmatter's play Katzgraben -- Study of sthe first scene of Shakespear's Coriolanus -- Cultural policy and academy of arts -- Conversation about being forced in empathy -- Classical status as an inhibiting factor | |
| 505 | 2 | |a Can the present-day world be reproduced by means of theatre? -- Appendices to the 'Short Organum' -- 'Dialectics in the theatre': an editorial note -- Our London season. | |
| 590 | |a Colección Rodolfo Usigli: UNIDARTE-X. | ||
| 650 | 4 | |a Teatro. | |
| 700 | 1 | |a Willett, John, |e ed. y tr. | |
| 901 | |a Z0 |b UV# | ||
| 902 | |a DGBUV | ||
| 596 | |a 33 | ||
| 942 | |c LIBRO | ||
| 999 | |c 248350 |d 248350 | ||