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| LEADER |
00000cam a2200000Ia 4500 |
| 001 |
ocn695560230 |
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OCoLC |
| 005 |
20141204201928.0 |
| 008 |
120921s2011 nyuab b 001 0 eng d |
| 035 |
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|a (Sirsi) i9780199735921
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| 040 |
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|a DLC
|b eng
|c DLC
|d UV#
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| 020 |
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|a 9780199735921 (pasta dura)
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| 020 |
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|a 0199735921 (pasta dura)
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| 020 |
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|a 9780199735938 (rústica)
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| 020 |
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|a 019973593X (rústica)
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| 043 |
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|a n-ust--
|a n-mx---
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| 050 |
0 |
4 |
|a ML3476
|b T72 2011
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| 082 |
0 |
0 |
|a 781.640972/1
|2 22
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| 245 |
0 |
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|a Transnational encounters :
|b music and performance at the U.S.-Mexico border /
|c edited by Alejandro L. Madrid.
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| 260 |
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|a New York :
|b Oxford University Press,
|c c2011.
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| 300 |
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|a xvi, 406 p. :
|b il., mapas ;
|c 24 cm.
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| 504 |
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|a Incluye notas bibliográficas e índice.
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| 505 |
0 |
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|a Pt. 1. Border meanings. Reggae on the border: the possibilities of a frontera soundscape / Luis Alvarez -- Breaking borders/quebrando fronteras: dancing in the borderscape / Sydney Hutchinson -- Narcocorridos: narratives of a cultural persona and power on the border / Mark C. Edberg -- Pt. 2. Nationalisms. Mariachi reimaginings: encounters with technology, aesthetics, and identity / Donald Henriques -- "This is our música, guy!": Tejanos and ethno/regional musical nationalism / José E. Limón -- Pt. 3. Indigeneity and modernity. Re-localized rap and its representation of the hombre digno / Helena Simonett -- Waila as transnational practice / Joan Titus -- Pt. 4. Cultural citizenship and rights. Transnational identity, the singing of spirituals, and the performance of blackness among Moscogos / Alejandro L. Madrid -- Transnational cultural constructions: cumbia music and the making of locality in Monterrey / Jesus A. Ramos-Kittrell -- Patriotic citizenship, the border wall, and the "El Veterano" Conjunto Festival / Margaret E. Dorsey and Miguel Díaz-Barriga -- Pt. 5. Trans-border cosmopolitan audiotopias. The Tijuana sound: brass, blues, and the border of the 1960s / Josh Kun -- La avanzada regia: Monterrey's alternative music scene and the aesthetics of transnationalism / Ignacio Corona -- Pt. 6. Contested identities. New Mexico and 'Manitos at the borderlands of popular music in greater Mexico / Brenda M. Romero -- "Todos me llaman El Gringo": place, identity, and erasure within the New Mexico Hispano music scene / Lillian Gorman -- Pt. 7. Performing locality and gender. From pistol-packing pelado to border crossing mojado: El Piporro and the making of a "Mexican" border space / Cathy Ragland -- Dancing reggaetón with cowboy boots / Ramón H. Rivera-Servera.
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| 650 |
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4 |
|a Música popular
|z Frontera mexicano-estadounidense
|x Historia y crítica.
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| 650 |
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4 |
|a Música folklórica
|z Frontera mexicano-estadounidense
|x Historia y crítica.
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| 650 |
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4 |
|a Música
|x Aspectos sociales
|z Frontera mexicano-estadounidense.
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| 700 |
1 |
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|a Madrid-González, Alejandro L.
|q (Alejandro Luis),
|e ed.
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| 901 |
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|a Z0
|b UV#
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| 902 |
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|a DGBUV
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| 596 |
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|a 85
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| 942 |
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|c LIBRO
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| 999 |
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|c 259355
|d 259355
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