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Philosophy of the film : epistemology, ontology, aesthetics /

Detalles Bibliográficos
Autor principal: Jarvie, I. C. (Ian Charles), 1937-
Formato: Libro
Lenguaje:English
Publicado: New York : Routledge & Kegan Paul, 1987.
Materias:
Acceso en línea:Publisher description
Inhaltsverzeichnis

MARC

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010 |a  86026226 
035 |a (Sirsi) i9780710210166 
040 |a DLC  |b eng  |c DLC  |d UV# 
020 |a 0710210167 
020 |a 9780710210166 
055 4 |a PN1995  |b J37 1987 
082 0 0 |a 791.43/01  |2 19 
100 1 |a Jarvie, I. C.  |q (Ian Charles),  |d 1937- 
245 1 0 |a Philosophy of the film :  |b epistemology, ontology, aesthetics /  |c Ian Jarvie. 
260 |a New York :  |b Routledge & Kegan Paul,  |c 1987. 
300 |a xv, 392 páginas :  |b ilustraciones ;  |c 23 cm. 
504 |a Bibliografía: páginas (364-375), e incluye índice 
505 2 |a Introduction: On the very idea of a philosophy of the film: Casablanca -- Part one: Movies as a philosophical problem. Films and academic philosophy: Munsterberg ; Cavell ; Phenomenology, Linden, Weiss -- Movies as an aesthetic problem -- Newness -- The nature of the medium -- Films as art -- Part three: Philosophical problems on film. Citizen Kane and the essence of a person ; Rashomon: Is truth relative? ; Persona: The person as a mask ; Woody Allen and the search for moral integrity: Annie Hall ; Interiors ; Manhattan. 
650 4 |a Peliculas  |x Filosofía. 
650 4 |a Semiotica en el cine. 
856 4 2 |3 Publisher description  |u http://catdir.loc.gov/catdir/enhancements/fy0652/86026226-d.html 
856 4 2 |u http://www.gbv.de/dms/bowker/toc/9780710210166.pdf  |3 Inhaltsverzeichnis 
901 |a Z0  |b UV# 
596 |a 4 
942 |c LITERATURA 
999 |c 272735  |d 272735