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| LEADER |
00000cam a2200000Li 4500 |
| 001 |
ocn758371389 |
| 003 |
UV# |
| 005 |
20220818143729.0 |
| 008 |
160615s2007 nyuag b 001 0 eng d |
| 999 |
|
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|c 299896
|d 299896
|
| 020 |
|
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|a 0195317122 (pasta dura)
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| 020 |
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|a 9780195317121 (pasta dura)
|
| 020 |
|
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|a 0199759952 (rústica : reimpresión)
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| 020 |
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|a 9780199759958 (rústica : reimpresión)
|
| 040 |
|
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|a DLC
|b spa
|d UV#
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| 050 |
0 |
4 |
|a MT90
|b L48 2007
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| 082 |
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|a 781
|2 22
|
| 100 |
1 |
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|a Lewin, David,
|d 1933-2003
|9 379856
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| 245 |
1 |
0 |
|a Musical form and transformation :
|b four analytic essays
|c / David Lewin.
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| 260 |
|
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|a New York :
|b Oxford University Press,
|c c2007.
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| 300 |
|
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|a xiv, 168 páginas :
|b ilustraciones, música ;
|c 24 cm.
|
| 336 |
|
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|2 rdacontent
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| 337 |
|
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|2 rdamedia
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| 338 |
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|2 rdacarrier
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| 500 |
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|a Publicado originalmente: New Haven : Yale University Press, c1993.
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| 504 |
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|a Incluye bibliografía (páginas 161-162) e índice.
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| 505 |
0 |
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|a Foreword / by Edward Gollin -- Serial transformation networks in Dallapiccola's "Simbolo" -- Making and using a Pcset network for Stockhausen's Klavierstück III -- Set theory, derivation, and transformational structures in analyzing Webern's Opus 10, number 4 -- A transformational basis for form and prolongation in Debussy's "Feux d'artifice".
|
| 590 |
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|a Reimpresión, 2011: UNIDARTE-X.
|
| 650 |
|
4 |
|a Apreciación musical
|9 2755
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| 650 |
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4 |
|a Formas musicales
|9 355456
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| 650 |
|
7 |
|a Teoría musical
|9 360489
|
| 942 |
|
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|c LIBRO
|2 lcc
|
| 948 |
|
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|h NO HOLDINGS IN UV# - 1 OTHER HOLDINGS
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