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|a MT90
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|a 780
|2 47
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|a Bach to Brahms :
|b essays on musical design and structure
|c / edited by David Beach and Yosef Goldenberg.
|
| 264 |
|
1 |
|a Rochester :
|b University of Rochester Press,
|c 2015.
|
| 264 |
|
4 |
|c ©2015.
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| 300 |
|
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|a viii, 286 páginas :
|b música ;
|c 24 cm.
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| 336 |
|
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|a texto
|2 rdacontent
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| 337 |
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|a sin medio
|2 rdamedia
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| 338 |
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|a volumen
|2 rdacarrier
|
| 490 |
0 |
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|a Eastman studies in music,
|v 122
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| 504 |
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|a Incluye notas bibliográficas e índice.
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| 505 |
0 |
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|a Strolling through a Haydn Divertimento with two Heinrichs / L. Poundie Burstein -- Ritornelli or soli : what did Mozart compose first in his Violin concerto, K. 207? / Naphtali Wagner -- Outer form, inner form, and other musical narratives in Beethoven's opus 14, no. 2 / Joel Lester -- Temporal poise and oblique dynamic in the first movement of Beethoven's "Archduke" trio / Frank Samarotto -- Chopin as an interpreter of Mozart : the Variations, opus 2 and Don Giovanni / Eytan Agmon -- The first movement of Brahms's fourth symphony revisited : a study of the fanfare and the "cloud of mystery" / Yosef Goldenberg -- "Capricious play" : veiled cyclic relations in Brahms's Ballades, op. 10 and Phantasies, op. 116 / William Kinderman -- Chopin's study in syncopation / John Rink -- A♯ practice, A[natural] alternative : the transition into the recapitulation in the first movement of Beethoven's "Hammerklavier" sonata / Eric Wen -- Ernst Oster's vision of hidden repetitions and motivic enlargements in J.S. Bach's short keyboard works / Channan Willner -- The "pseudo-Einsatz" in two Handel fugues : Heinrich Schenker's analytic work with Reinhard Oppel / Timothy Jackson -- Formal fusion and its effect on voice-leading structure : the first movement of Beethoven's opus 132 revisited / Boyd Pomeroy -- Indistinct formal functions and conflicting temporal processes in the second movement of Brahms's third symphony / Lauri Suurpää -- The interaction of structure and design in the opening movements of Schubert's piano trios in B-flat major (D. 898) and E-flat major (D. 929) / David Beach -- The suspenseful structure of Brahms's C-major Capriccio, op. 76, no. 8 : a Schenkerian hearing / Charles Burkhart.
|
| 650 |
|
4 |
|a Análisis schenkeriano
|9 438348
|
| 650 |
|
4 |
|a Apreciación musical
|9 2755
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| 650 |
|
4 |
|a Música
|x Historia y crítica
|9 363980
|y Siglo XVIII
|
| 650 |
|
4 |
|a Música
|9 363980
|x Historia y crítica
|y Siglo XIX
|
| 700 |
1 |
|
|a Beach, David,
|d 1938-
|9 438347
|e editor
|
| 700 |
1 |
|
|a Goldenberg, Yosef,
|d 1967-
|e editor
|
| 942 |
|
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|c LIBRO
|2 lcc
|6 _
|
