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Analytical essays on music by women composers : secular & sacred music to 1900 /
This collection of in-depth analytical essays celebrates music by female composers from the twelfth to nineteenth centuries. The essays, written by leading music theorists and musicologists, examine select compositions in detail, collectively establishing a foundation for new scholarly research into...
| Otros Autores: | , |
|---|---|
| Formato: | Libro |
| Lenguaje: | English |
| Publicado: |
New York, NY :
Oxford University Press,
[2018]
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| Colección: | Analytical essays on music by women composers ;
v. 1. |
| Materias: |
MARC
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| 245 | 0 | 0 | |a Analytical essays on music by women composers : |b secular & sacred music to 1900 / |c edited by Laurel Parsons and Brenda Ravenscroft. |
| 246 | 3 | 0 | |a Secular & sacred music to 1900 |
| 264 | 1 | |a New York, NY : |b Oxford University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a xi, 273 páginas : |b ilustraciones, música ; |c 25 cm. | ||
| 336 | |a texto |b txt |2 rdacontent | ||
| 336 | |a música notada |2 rdacontent | ||
| 337 | |a sin mediación |b n |2 rdamedia | ||
| 338 | |a volumen |b nc |2 rdacarrier | ||
| 490 | 1 | |a Analytical essays on music by women composers ; |v volume 1 | |
| 500 | |a El sitio web complementario incluye ejemplos musicales e ilustraciones, partituras completas para dos obras y grabaciones de video y sonido; URL, nombre de usuario y contraseña en la página xi del texto. | ||
| 504 | |a Incluye notas bibliograficas e índice | ||
| 505 | 0 | 0 | |g Introduction. |t "Half of Humanity Has Something to Say, Also" / |r Laurel Parsons and Brenda Ravenscroft -- |t Early music for voice. |t Hildegard of Bingen, O Ierusalem aurea civitas (ca. 1150-1170): Varied repetition in Hildegard's sequence for St. Rupert : O Ierusalem aurea civitas / |r Jennifer Bain ; |t Maddalena Casulana, "Per lei pos' in oblio" from Cinta di fior (1570): Finding the "air" in Maddalena Casulana's madrigals / |r Peter Schubert ; |t Barbara Strozzi, Appresso ai molli argenti (1659): Consolation amid barbarous misfortune : Barbara Strozzi's Appresso ai molli argenti and the mid-seventeenth-century lament / |r Richard Kolb and Barbara Swanson -- |t Seventeenth- and eighteenth-century keyboard music. |t Élisabeth-Claude Jacquet de La Guerre, Sarabandes from the Suites in A minor (1687) and D minor (1707): In the realm of all the senses : two sarabandes by Élisabeth-Claude Jacquet de La Guerre / |r Susan McClary ; |t Marianna Martines, Sonata in A Major, I (1765): "Zierlichkeit und Genie" : grace and genius in Marianna Martines's Sonata in A major / |r L. Poundie Burstein -- |t Nineteenth-century Lieder and piano music. |t Fanny Hensel, "Von dir, mein Lieb, ich scheiden muss" (1841) and "Ich kann wohl manchmal singen" (1846): Fanny Hensel's schematic fantasies, or, The art of beginning / |r Stephen Rodgers ; |t Josephine Lang, "An einer Quelle" (1840/1853) and "Am Morgen" (1840): Josephine Lang's multiple settings of poems by Christian Reinhold Köstlin / |r Harald Krebs ; |t Clara Schumann, "Liebst du um Schönheit" (1841): Multiply interrupted structure in Clara Schumann's "Liebst du um Schönheit" / |r Michael Baker ; |t Amy Beach, "Phantoms," op. 15, no. 2 (1892). Gapped lines and ghostly flowers in Amy Beach's "Phantoms," op. 15, no. 2 / |r Edward D. Latham. |
| 520 | |a This collection of in-depth analytical essays celebrates music by female composers from the twelfth to nineteenth centuries. The essays, written by leading music theorists and musicologists, examine select compositions in detail, collectively establishing a foundation for new scholarly research into outstanding compositions created by women. | ||
| 650 | 4 | |a Música de compositoras |x Análisis, apreciación | |
| 650 | 7 | |a Música |x Análisis, apreciación |9 4277 | |
| 700 | 1 | |a Parsons, Laurel, |e editor. | |
| 700 | 1 | |a Ravenscroft, Brenda, |d 1961- |e editor. | |
| 830 | 0 | |a Analytical essays on music by women composers ; |v v. 1. | |
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