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Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music
Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several...
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Lenguaje: | eng |
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Springer
2007
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Acceso en línea: | https://dx.doi.org/10.1007/978-0-387-32576-7 http://cds.cern.ch/record/1339339 |
_version_ | 1780922038224945152 |
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author | Beauchamp, James W |
author_facet | Beauchamp, James W |
author_sort | Beauchamp, James W |
collection | CERN |
description | Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several examples shown. Various aspects of musical sound spectra such as spectral envelope, spectral centroid, spectral flux, and spectral irregularity are defined and discussed. One chapter is devoted to the control and synthesis of spectral envelopes. Two advanced methods of analysis/synthesis are given: "Sines Plus Transients Plus Noise" and "Spectrotemporal Reassignment" are covered. Methods for timbre morphing are given. The last two chapters discuss the perception of musical sounds based on discrimination and multidimensional scaling timbre models. |
id | cern-1339339 |
institution | Organización Europea para la Investigación Nuclear |
language | eng |
publishDate | 2007 |
publisher | Springer |
record_format | invenio |
spelling | cern-13393392021-04-22T00:58:53Zdoi:10.1007/978-0-387-32576-7http://cds.cern.ch/record/1339339engBeauchamp, James WAnalysis, Synthesis, and Perception of Musical Sounds: The Sound of MusicOther SubjectsAnalysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several examples shown. Various aspects of musical sound spectra such as spectral envelope, spectral centroid, spectral flux, and spectral irregularity are defined and discussed. One chapter is devoted to the control and synthesis of spectral envelopes. Two advanced methods of analysis/synthesis are given: "Sines Plus Transients Plus Noise" and "Spectrotemporal Reassignment" are covered. Methods for timbre morphing are given. The last two chapters discuss the perception of musical sounds based on discrimination and multidimensional scaling timbre models.Springeroai:cds.cern.ch:13393392007 |
spellingShingle | Other Subjects Beauchamp, James W Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music |
title | Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music |
title_full | Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music |
title_fullStr | Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music |
title_full_unstemmed | Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music |
title_short | Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music |
title_sort | analysis, synthesis, and perception of musical sounds: the sound of music |
topic | Other Subjects |
url | https://dx.doi.org/10.1007/978-0-387-32576-7 http://cds.cern.ch/record/1339339 |
work_keys_str_mv | AT beauchampjamesw analysissynthesisandperceptionofmusicalsoundsthesoundofmusic |