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Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music

Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several...

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Detalles Bibliográficos
Autor principal: Beauchamp, James W
Lenguaje:eng
Publicado: Springer 2007
Materias:
Acceso en línea:https://dx.doi.org/10.1007/978-0-387-32576-7
http://cds.cern.ch/record/1339339
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author Beauchamp, James W
author_facet Beauchamp, James W
author_sort Beauchamp, James W
collection CERN
description Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several examples shown. Various aspects of musical sound spectra such as spectral envelope, spectral centroid, spectral flux, and spectral irregularity are defined and discussed. One chapter is devoted to the control and synthesis of spectral envelopes. Two advanced methods of analysis/synthesis are given: "Sines Plus Transients Plus Noise" and "Spectrotemporal Reassignment" are covered. Methods for timbre morphing are given. The last two chapters discuss the perception of musical sounds based on discrimination and multidimensional scaling timbre models.
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institution Organización Europea para la Investigación Nuclear
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spelling cern-13393392021-04-22T00:58:53Zdoi:10.1007/978-0-387-32576-7http://cds.cern.ch/record/1339339engBeauchamp, James WAnalysis, Synthesis, and Perception of Musical Sounds: The Sound of MusicOther SubjectsAnalysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several examples shown. Various aspects of musical sound spectra such as spectral envelope, spectral centroid, spectral flux, and spectral irregularity are defined and discussed. One chapter is devoted to the control and synthesis of spectral envelopes. Two advanced methods of analysis/synthesis are given: "Sines Plus Transients Plus Noise" and "Spectrotemporal Reassignment" are covered. Methods for timbre morphing are given. The last two chapters discuss the perception of musical sounds based on discrimination and multidimensional scaling timbre models.Springeroai:cds.cern.ch:13393392007
spellingShingle Other Subjects
Beauchamp, James W
Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music
title Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music
title_full Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music
title_fullStr Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music
title_full_unstemmed Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music
title_short Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music
title_sort analysis, synthesis, and perception of musical sounds: the sound of music
topic Other Subjects
url https://dx.doi.org/10.1007/978-0-387-32576-7
http://cds.cern.ch/record/1339339
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