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Colliding worlds: how cutting-edge science is redefining contemporary art
In recent decades, an exciting new art movement has emerged in which artists illuminate the latest advances in science. Some of their provocative creations - a live rabbit implanted with the fluorescent gene of a jellyfish, a gigantic glass-and-chrome sculpture of the Big Bang itself - can be seen i...
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Lenguaje: | eng |
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W. W. Norton
2014
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Acceso en línea: | http://cds.cern.ch/record/1697817 |
_version_ | 1780936198504579072 |
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author | Miller, Arthur I |
author_facet | Miller, Arthur I |
author_sort | Miller, Arthur I |
collection | CERN |
description | In recent decades, an exciting new art movement has emerged in which artists illuminate the latest advances in science. Some of their provocative creations - a live rabbit implanted with the fluorescent gene of a jellyfish, a gigantic glass-and-chrome sculpture of the Big Bang itself - can be seen in traditional art museums and magazines, while others are being made by leading designers at Pixar, Google's Creative Lab and the MIT Media Lab. Arthur I. Miller takes readers on a wild journey to explore this new frontier. From the movement's origins a century ago - when Einstein shaped Cubism and X-rays affected fine photography - to the latest discoveries of biotechnology, cosmology and quantum physics, Miller shows how today's artists and designers are producing work at the cutting edge of science. |
id | cern-1697817 |
institution | Organización Europea para la Investigación Nuclear |
language | eng |
publishDate | 2014 |
publisher | W. W. Norton |
record_format | invenio |
spelling | cern-16978172021-04-21T21:02:42Zhttp://cds.cern.ch/record/1697817engMiller, Arthur IColliding worlds: how cutting-edge science is redefining contemporary artOther SubjectsIn recent decades, an exciting new art movement has emerged in which artists illuminate the latest advances in science. Some of their provocative creations - a live rabbit implanted with the fluorescent gene of a jellyfish, a gigantic glass-and-chrome sculpture of the Big Bang itself - can be seen in traditional art museums and magazines, while others are being made by leading designers at Pixar, Google's Creative Lab and the MIT Media Lab. Arthur I. Miller takes readers on a wild journey to explore this new frontier. From the movement's origins a century ago - when Einstein shaped Cubism and X-rays affected fine photography - to the latest discoveries of biotechnology, cosmology and quantum physics, Miller shows how today's artists and designers are producing work at the cutting edge of science.W. W. Nortonoai:cds.cern.ch:16978172014 |
spellingShingle | Other Subjects Miller, Arthur I Colliding worlds: how cutting-edge science is redefining contemporary art |
title | Colliding worlds: how cutting-edge science is redefining contemporary art |
title_full | Colliding worlds: how cutting-edge science is redefining contemporary art |
title_fullStr | Colliding worlds: how cutting-edge science is redefining contemporary art |
title_full_unstemmed | Colliding worlds: how cutting-edge science is redefining contemporary art |
title_short | Colliding worlds: how cutting-edge science is redefining contemporary art |
title_sort | colliding worlds: how cutting-edge science is redefining contemporary art |
topic | Other Subjects |
url | http://cds.cern.ch/record/1697817 |
work_keys_str_mv | AT millerarthuri collidingworldshowcuttingedgescienceisredefiningcontemporaryart |