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Holograms: a cultural history
Holograms have been in the public eye for over a half-century, but their influences have deeper cultural roots. No other visual experience is quite like interacting with holograms; no other cultural product melds the technological sublime with magic and optimism in quite the same way. As holograms h...
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Lenguaje: | eng |
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Oxford University Press
2016
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Acceso en línea: | https://dx.doi.org/10.1093/acprof:oso/9780198712763.001.0001 http://cds.cern.ch/record/2116416 |
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author | Johnston, Sean F |
author_facet | Johnston, Sean F |
author_sort | Johnston, Sean F |
collection | CERN |
description | Holograms have been in the public eye for over a half-century, but their influences have deeper cultural roots. No other visual experience is quite like interacting with holograms; no other cultural product melds the technological sublime with magic and optimism in quite the same way. As holograms have evolved, they have left their audiences alternately fascinated, bemused, inspired or indifferent. From expressions of high science to countercultural art to consumer security, holograms have represented modernity, magic and materialism. Their most pervasive impact has been to galvanize hopeful technological dreams. This book explores how holograms found a place in distinct cultural settings. Engineers, artists, hippies and hobbyists have played with, and dreamed about, holograms. This book explores the technical attractions and cultural uses of the hologram, how they were shaped by what came before them, and how they have matured to shape our notional futures. Today, holograms are in our pockets (as identity documents) and in our minds (as gaming fantasies and ‘faux hologram’ performers). Why aren’t they more often in front of our eyes? |
id | cern-2116416 |
institution | Organización Europea para la Investigación Nuclear |
language | eng |
publishDate | 2016 |
publisher | Oxford University Press |
record_format | invenio |
spelling | cern-21164162021-04-21T19:56:45Zdoi:10.1093/acprof:oso/9780198712763.001.0001http://cds.cern.ch/record/2116416engJohnston, Sean FHolograms: a cultural historyOther Fields of PhysicsHolograms have been in the public eye for over a half-century, but their influences have deeper cultural roots. No other visual experience is quite like interacting with holograms; no other cultural product melds the technological sublime with magic and optimism in quite the same way. As holograms have evolved, they have left their audiences alternately fascinated, bemused, inspired or indifferent. From expressions of high science to countercultural art to consumer security, holograms have represented modernity, magic and materialism. Their most pervasive impact has been to galvanize hopeful technological dreams. This book explores how holograms found a place in distinct cultural settings. Engineers, artists, hippies and hobbyists have played with, and dreamed about, holograms. This book explores the technical attractions and cultural uses of the hologram, how they were shaped by what came before them, and how they have matured to shape our notional futures. Today, holograms are in our pockets (as identity documents) and in our minds (as gaming fantasies and ‘faux hologram’ performers). Why aren’t they more often in front of our eyes?Oxford University Pressoai:cds.cern.ch:21164162016 |
spellingShingle | Other Fields of Physics Johnston, Sean F Holograms: a cultural history |
title | Holograms: a cultural history |
title_full | Holograms: a cultural history |
title_fullStr | Holograms: a cultural history |
title_full_unstemmed | Holograms: a cultural history |
title_short | Holograms: a cultural history |
title_sort | holograms: a cultural history |
topic | Other Fields of Physics |
url | https://dx.doi.org/10.1093/acprof:oso/9780198712763.001.0001 http://cds.cern.ch/record/2116416 |
work_keys_str_mv | AT johnstonseanf hologramsaculturalhistory |