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Cortico-cerebellar audio-motor regions coordinate self and other in musical joint action

Joint music performance requires flexible sensorimotor coordination between self and other. Cognitive and sensory parameters of joint action—such as shared knowledge or temporal (a)synchrony—influence this coordination by shifting the balance between self-other segregation and integration. To invest...

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Autores principales: Kohler, Natalie, Novembre, Giacomo, Gugnowska, Katarzyna, Keller, Peter E, Villringer, Arno, Sammler, Daniela
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Oxford University Press 2022
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10016054/
https://www.ncbi.nlm.nih.gov/pubmed/35771593
http://dx.doi.org/10.1093/cercor/bhac243
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author Kohler, Natalie
Novembre, Giacomo
Gugnowska, Katarzyna
Keller, Peter E
Villringer, Arno
Sammler, Daniela
author_facet Kohler, Natalie
Novembre, Giacomo
Gugnowska, Katarzyna
Keller, Peter E
Villringer, Arno
Sammler, Daniela
author_sort Kohler, Natalie
collection PubMed
description Joint music performance requires flexible sensorimotor coordination between self and other. Cognitive and sensory parameters of joint action—such as shared knowledge or temporal (a)synchrony—influence this coordination by shifting the balance between self-other segregation and integration. To investigate the neural bases of these parameters and their interaction during joint action, we asked pianists to play on an MR-compatible piano, in duet with a partner outside of the scanner room. Motor knowledge of the partner’s musical part and the temporal compatibility of the partner’s action feedback were manipulated. First, we found stronger activity and functional connectivity within cortico-cerebellar audio-motor networks when pianists had practiced their partner’s part before. This indicates that they simulated and anticipated the auditory feedback of the partner by virtue of an internal model. Second, we observed stronger cerebellar activity and reduced behavioral adaptation when pianists encountered subtle asynchronies between these model-based anticipations and the perceived sensory outcome of (familiar) partner actions, indicating a shift towards self-other segregation. These combined findings demonstrate that cortico-cerebellar audio-motor networks link motor knowledge and other-produced sounds depending on cognitive and sensory factors of the joint performance, and play a crucial role in balancing self-other integration and segregation.
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spelling pubmed-100160542023-03-16 Cortico-cerebellar audio-motor regions coordinate self and other in musical joint action Kohler, Natalie Novembre, Giacomo Gugnowska, Katarzyna Keller, Peter E Villringer, Arno Sammler, Daniela Cereb Cortex Original Article Joint music performance requires flexible sensorimotor coordination between self and other. Cognitive and sensory parameters of joint action—such as shared knowledge or temporal (a)synchrony—influence this coordination by shifting the balance between self-other segregation and integration. To investigate the neural bases of these parameters and their interaction during joint action, we asked pianists to play on an MR-compatible piano, in duet with a partner outside of the scanner room. Motor knowledge of the partner’s musical part and the temporal compatibility of the partner’s action feedback were manipulated. First, we found stronger activity and functional connectivity within cortico-cerebellar audio-motor networks when pianists had practiced their partner’s part before. This indicates that they simulated and anticipated the auditory feedback of the partner by virtue of an internal model. Second, we observed stronger cerebellar activity and reduced behavioral adaptation when pianists encountered subtle asynchronies between these model-based anticipations and the perceived sensory outcome of (familiar) partner actions, indicating a shift towards self-other segregation. These combined findings demonstrate that cortico-cerebellar audio-motor networks link motor knowledge and other-produced sounds depending on cognitive and sensory factors of the joint performance, and play a crucial role in balancing self-other integration and segregation. Oxford University Press 2022-06-30 /pmc/articles/PMC10016054/ /pubmed/35771593 http://dx.doi.org/10.1093/cercor/bhac243 Text en © The Author(s) 2022. Published by Oxford University Press. https://creativecommons.org/licenses/by/4.0/This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) ), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.
spellingShingle Original Article
Kohler, Natalie
Novembre, Giacomo
Gugnowska, Katarzyna
Keller, Peter E
Villringer, Arno
Sammler, Daniela
Cortico-cerebellar audio-motor regions coordinate self and other in musical joint action
title Cortico-cerebellar audio-motor regions coordinate self and other in musical joint action
title_full Cortico-cerebellar audio-motor regions coordinate self and other in musical joint action
title_fullStr Cortico-cerebellar audio-motor regions coordinate self and other in musical joint action
title_full_unstemmed Cortico-cerebellar audio-motor regions coordinate self and other in musical joint action
title_short Cortico-cerebellar audio-motor regions coordinate self and other in musical joint action
title_sort cortico-cerebellar audio-motor regions coordinate self and other in musical joint action
topic Original Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10016054/
https://www.ncbi.nlm.nih.gov/pubmed/35771593
http://dx.doi.org/10.1093/cercor/bhac243
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