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Repeated stage exposure reduces music performance anxiety
BACKGROUND: High heart rate (HR) and restlessness are two important features of music performance anxiety (MPA). In a case report of a cellist suffering from this condition, we showed that HR and restlessness decreased after repeated live performances of the same musical excerpt, thereby positively...
Autores principales: | , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Frontiers Media S.A.
2023
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10067860/ https://www.ncbi.nlm.nih.gov/pubmed/37020906 http://dx.doi.org/10.3389/fpsyg.2023.1146405 |
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author | Candia, Victor Kusserow, Martin Margulies, Oliver Hildebrandt, Horst |
author_facet | Candia, Victor Kusserow, Martin Margulies, Oliver Hildebrandt, Horst |
author_sort | Candia, Victor |
collection | PubMed |
description | BACKGROUND: High heart rate (HR) and restlessness are two important features of music performance anxiety (MPA). In a case report of a cellist suffering from this condition, we showed that HR and restlessness decreased after repeated live performances of the same musical excerpt, thereby positively modulating objective performance criteria and subjective components. Here, we largely replicate these results in a group of 18 string players reporting MPA. METHODS: Objective measurement devices included a miniaturized electrocardiogram monitor and three 3-axis accelerometer loggers. Subjective measures included the Multidimensional Mental Health Questionnaire (MDBF) and a customized visual analogue scale (VAS) questionnaire for MPA. Non-artistic performance errors were assessed by music experts using a composite score for technical playing errors (i.e., intonation errors, omission of notes, and bowing noise). Data were collected from each study participant during three brief public solo performances of the same musical excerpt, with each performance occurring before a new audience on the same day. RESULTS: From the 1st to the 3rd performance, HR, VAS, and playing error scores decreased significantly. MDBF (RU scale) showed a significant increase in calmness from the 1st to the 3rd performance on stage. HR and RU, VAS, and RU, as well as bow acceleration and overall duration of playing correlated significantly across participants and performances. DISCUSSION AND CONCLUSION: We conclude that repeated stage exposure significantly reduces HR as well as restlessness and playing errors linked to MPA. Public performances are still successful when HR is significantly higher than during rest periods. These results underscore the importance of stage training to become accustomed to realistic public self-exposure. Musicians – especially students – should consider this component of stage training as an integral part of their practice routine. Therefore, stage training can reduce MPA, promote better live performances and prevent stress-related mental disorders and physical injuries. These result from excessive self-exercise strategies common in musicians experiencing MPA. HR monitoring should be an integral part of evaluating the effectiveness of interventions for better MPA management and efficient performance training. |
format | Online Article Text |
id | pubmed-10067860 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2023 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-100678602023-04-04 Repeated stage exposure reduces music performance anxiety Candia, Victor Kusserow, Martin Margulies, Oliver Hildebrandt, Horst Front Psychol Psychology BACKGROUND: High heart rate (HR) and restlessness are two important features of music performance anxiety (MPA). In a case report of a cellist suffering from this condition, we showed that HR and restlessness decreased after repeated live performances of the same musical excerpt, thereby positively modulating objective performance criteria and subjective components. Here, we largely replicate these results in a group of 18 string players reporting MPA. METHODS: Objective measurement devices included a miniaturized electrocardiogram monitor and three 3-axis accelerometer loggers. Subjective measures included the Multidimensional Mental Health Questionnaire (MDBF) and a customized visual analogue scale (VAS) questionnaire for MPA. Non-artistic performance errors were assessed by music experts using a composite score for technical playing errors (i.e., intonation errors, omission of notes, and bowing noise). Data were collected from each study participant during three brief public solo performances of the same musical excerpt, with each performance occurring before a new audience on the same day. RESULTS: From the 1st to the 3rd performance, HR, VAS, and playing error scores decreased significantly. MDBF (RU scale) showed a significant increase in calmness from the 1st to the 3rd performance on stage. HR and RU, VAS, and RU, as well as bow acceleration and overall duration of playing correlated significantly across participants and performances. DISCUSSION AND CONCLUSION: We conclude that repeated stage exposure significantly reduces HR as well as restlessness and playing errors linked to MPA. Public performances are still successful when HR is significantly higher than during rest periods. These results underscore the importance of stage training to become accustomed to realistic public self-exposure. Musicians – especially students – should consider this component of stage training as an integral part of their practice routine. Therefore, stage training can reduce MPA, promote better live performances and prevent stress-related mental disorders and physical injuries. These result from excessive self-exercise strategies common in musicians experiencing MPA. HR monitoring should be an integral part of evaluating the effectiveness of interventions for better MPA management and efficient performance training. Frontiers Media S.A. 2023-03-20 /pmc/articles/PMC10067860/ /pubmed/37020906 http://dx.doi.org/10.3389/fpsyg.2023.1146405 Text en Copyright © 2023 Candia, Kusserow, Margulies and Hildebrandt. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Candia, Victor Kusserow, Martin Margulies, Oliver Hildebrandt, Horst Repeated stage exposure reduces music performance anxiety |
title | Repeated stage exposure reduces music performance anxiety |
title_full | Repeated stage exposure reduces music performance anxiety |
title_fullStr | Repeated stage exposure reduces music performance anxiety |
title_full_unstemmed | Repeated stage exposure reduces music performance anxiety |
title_short | Repeated stage exposure reduces music performance anxiety |
title_sort | repeated stage exposure reduces music performance anxiety |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10067860/ https://www.ncbi.nlm.nih.gov/pubmed/37020906 http://dx.doi.org/10.3389/fpsyg.2023.1146405 |
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