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Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists

Through the manipulation of color and form, visual abstract art is often used to convey feelings and emotions. Here, we explored how colors and lines are used to express basic emotions and whether non-artists express emotions through art in similar ways as trained artists. Both artists and non-artis...

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Autores principales: Damiano, Claudia, Gayen, Pinaki, Rezanejad, Morteza, Banerjee, Archi, Banik, Gobinda, Patnaik, Priyadarshi, Wagemans, Johan, Walther, Dirk B.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: The Association for Research in Vision and Ophthalmology 2023
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10080919/
https://www.ncbi.nlm.nih.gov/pubmed/37010831
http://dx.doi.org/10.1167/jov.23.4.1
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author Damiano, Claudia
Gayen, Pinaki
Rezanejad, Morteza
Banerjee, Archi
Banik, Gobinda
Patnaik, Priyadarshi
Wagemans, Johan
Walther, Dirk B.
author_facet Damiano, Claudia
Gayen, Pinaki
Rezanejad, Morteza
Banerjee, Archi
Banik, Gobinda
Patnaik, Priyadarshi
Wagemans, Johan
Walther, Dirk B.
author_sort Damiano, Claudia
collection PubMed
description Through the manipulation of color and form, visual abstract art is often used to convey feelings and emotions. Here, we explored how colors and lines are used to express basic emotions and whether non-artists express emotions through art in similar ways as trained artists. Both artists and non-artists created abstract color drawings and line drawings depicting six emotions (i.e., anger, disgust, fear, joy, sadness, and wonder). To test whether people represented basic emotions in similar ways, we computationally predicted the emotion of a given drawing by comparing it to a set of references created by averaging across all other participants’ drawings within each emotion category. We found that prediction accuracy was higher for color drawings than line drawings and higher for color drawings by non-artists than by artists. In a behavioral experiment, we found that people (N = 242) could also accurately infer emotions, showing the same pattern of results as our computational predictions. Further computational analyses of the drawings revealed systematic use of certain colors and line features to depict each basic emotion (e.g., anger is generally redder and more densely drawn than other emotions, sadness is more blue and contains more vertical lines). Taken together, these results imply that abstract color and line drawings are able to convey certain emotions based on their visual features, which are also used by human observers to understand the intended emotional connotation of abstract artworks.
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spelling pubmed-100809192023-04-08 Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists Damiano, Claudia Gayen, Pinaki Rezanejad, Morteza Banerjee, Archi Banik, Gobinda Patnaik, Priyadarshi Wagemans, Johan Walther, Dirk B. J Vis Article Through the manipulation of color and form, visual abstract art is often used to convey feelings and emotions. Here, we explored how colors and lines are used to express basic emotions and whether non-artists express emotions through art in similar ways as trained artists. Both artists and non-artists created abstract color drawings and line drawings depicting six emotions (i.e., anger, disgust, fear, joy, sadness, and wonder). To test whether people represented basic emotions in similar ways, we computationally predicted the emotion of a given drawing by comparing it to a set of references created by averaging across all other participants’ drawings within each emotion category. We found that prediction accuracy was higher for color drawings than line drawings and higher for color drawings by non-artists than by artists. In a behavioral experiment, we found that people (N = 242) could also accurately infer emotions, showing the same pattern of results as our computational predictions. Further computational analyses of the drawings revealed systematic use of certain colors and line features to depict each basic emotion (e.g., anger is generally redder and more densely drawn than other emotions, sadness is more blue and contains more vertical lines). Taken together, these results imply that abstract color and line drawings are able to convey certain emotions based on their visual features, which are also used by human observers to understand the intended emotional connotation of abstract artworks. The Association for Research in Vision and Ophthalmology 2023-04-03 /pmc/articles/PMC10080919/ /pubmed/37010831 http://dx.doi.org/10.1167/jov.23.4.1 Text en Copyright 2023 The Authors https://creativecommons.org/licenses/by-nc-nd/4.0/This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
spellingShingle Article
Damiano, Claudia
Gayen, Pinaki
Rezanejad, Morteza
Banerjee, Archi
Banik, Gobinda
Patnaik, Priyadarshi
Wagemans, Johan
Walther, Dirk B.
Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists
title Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists
title_full Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists
title_fullStr Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists
title_full_unstemmed Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists
title_short Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists
title_sort anger is red, sadness is blue: emotion depictions in abstract visual art by artists and non-artists
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10080919/
https://www.ncbi.nlm.nih.gov/pubmed/37010831
http://dx.doi.org/10.1167/jov.23.4.1
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