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The role of category ambiguity in normal and impaired lexical processing: can you paint without the paint?
INTRODUCTION: Many words are categorially ambiguous and can be used as a verb (to paint) or as a noun (the paint) due to the presence of unpronounced morphology or “zero morphology”. On this account, the verb “paint” is derived from the noun “paint” through the addition of a silent category-changing...
Autores principales: | , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
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Frontiers Media S.A.
2023
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10192584/ https://www.ncbi.nlm.nih.gov/pubmed/37213932 http://dx.doi.org/10.3389/fnhum.2023.1028378 |
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author | Lukic, Sladjana Krauska, Alexandra Yoshida, Masaya Thompson, Cynthia K. |
author_facet | Lukic, Sladjana Krauska, Alexandra Yoshida, Masaya Thompson, Cynthia K. |
author_sort | Lukic, Sladjana |
collection | PubMed |
description | INTRODUCTION: Many words are categorially ambiguous and can be used as a verb (to paint) or as a noun (the paint) due to the presence of unpronounced morphology or “zero morphology”. On this account, the verb “paint” is derived from the noun “paint” through the addition of a silent category-changing morpheme. Past studies have uncovered the syntactic and semantic properties of these categorially ambiguous words, but no research has been conducted on how people process them during normal or impaired lexical processing. Are these two different uses of “paint” processed in the same way? Does this morphosyntactic structure have an effect on online sentence processing? METHODS: This study presents two experiments that investigate the effect of morphosyntactic complexity in categorially ambiguous words presented in isolation (experiment 1) and in a sentential context (experiment 2). The first experiment tested the ability to process categorially unambiguous and ambiguous nouns and verbs in 30 healthy older adults and 12 individuals with aphasia, using a forced choice phrasal-completion task, in which individuals choose whether the or to is most compatible with target words. RESULTS: Healthy controls and individuals with fluent aphasia all showed: (1) a bias toward the base category in selection rates for the and to, where the was selected more frequently for words identified to be base nouns, and to was selected more frequently for base verbs, and (2) longer reaction times for ambiguous (over unambiguous) words. However, individuals with non-fluent agrammatic aphasia showed a base-category effect only for nouns, with chance performance for verbs. The second experiment, using an eye-tracking while reading paradigm with 56 young healthy adults, showed a reading time slowdown for derived forms (to paint) compared to their base-category counterparts (the paint) in sentence contexts. DISCUSSION: These findings suggest that categorially ambiguous words likely share a common root, and are related by zero-derivation, and that impaired access to the base-category (i.e., verbs like to visit) precludes associated morphological processes and therefore the retrieval of the derived-category (i.e., nouns like the visit) in non-fluent agrammatic aphasia. This study provides insights into the theory of zero morphology, and the principles that need to be accounted for in models of the lexicon. |
format | Online Article Text |
id | pubmed-10192584 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2023 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-101925842023-05-19 The role of category ambiguity in normal and impaired lexical processing: can you paint without the paint? Lukic, Sladjana Krauska, Alexandra Yoshida, Masaya Thompson, Cynthia K. Front Hum Neurosci Neuroscience INTRODUCTION: Many words are categorially ambiguous and can be used as a verb (to paint) or as a noun (the paint) due to the presence of unpronounced morphology or “zero morphology”. On this account, the verb “paint” is derived from the noun “paint” through the addition of a silent category-changing morpheme. Past studies have uncovered the syntactic and semantic properties of these categorially ambiguous words, but no research has been conducted on how people process them during normal or impaired lexical processing. Are these two different uses of “paint” processed in the same way? Does this morphosyntactic structure have an effect on online sentence processing? METHODS: This study presents two experiments that investigate the effect of morphosyntactic complexity in categorially ambiguous words presented in isolation (experiment 1) and in a sentential context (experiment 2). The first experiment tested the ability to process categorially unambiguous and ambiguous nouns and verbs in 30 healthy older adults and 12 individuals with aphasia, using a forced choice phrasal-completion task, in which individuals choose whether the or to is most compatible with target words. RESULTS: Healthy controls and individuals with fluent aphasia all showed: (1) a bias toward the base category in selection rates for the and to, where the was selected more frequently for words identified to be base nouns, and to was selected more frequently for base verbs, and (2) longer reaction times for ambiguous (over unambiguous) words. However, individuals with non-fluent agrammatic aphasia showed a base-category effect only for nouns, with chance performance for verbs. The second experiment, using an eye-tracking while reading paradigm with 56 young healthy adults, showed a reading time slowdown for derived forms (to paint) compared to their base-category counterparts (the paint) in sentence contexts. DISCUSSION: These findings suggest that categorially ambiguous words likely share a common root, and are related by zero-derivation, and that impaired access to the base-category (i.e., verbs like to visit) precludes associated morphological processes and therefore the retrieval of the derived-category (i.e., nouns like the visit) in non-fluent agrammatic aphasia. This study provides insights into the theory of zero morphology, and the principles that need to be accounted for in models of the lexicon. Frontiers Media S.A. 2023-05-04 /pmc/articles/PMC10192584/ /pubmed/37213932 http://dx.doi.org/10.3389/fnhum.2023.1028378 Text en Copyright © 2023 Lukic, Krauska, Yoshida and Thompson. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Neuroscience Lukic, Sladjana Krauska, Alexandra Yoshida, Masaya Thompson, Cynthia K. The role of category ambiguity in normal and impaired lexical processing: can you paint without the paint? |
title | The role of category ambiguity in normal and impaired lexical processing: can you paint without the paint? |
title_full | The role of category ambiguity in normal and impaired lexical processing: can you paint without the paint? |
title_fullStr | The role of category ambiguity in normal and impaired lexical processing: can you paint without the paint? |
title_full_unstemmed | The role of category ambiguity in normal and impaired lexical processing: can you paint without the paint? |
title_short | The role of category ambiguity in normal and impaired lexical processing: can you paint without the paint? |
title_sort | role of category ambiguity in normal and impaired lexical processing: can you paint without the paint? |
topic | Neuroscience |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10192584/ https://www.ncbi.nlm.nih.gov/pubmed/37213932 http://dx.doi.org/10.3389/fnhum.2023.1028378 |
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