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A 5-emotions stimuli set for emotion perception research with full-body dance movements

Ekman famously contended that there are different channels of emotional expression (face, voice, body), and that emotion recognition ability confers an adaptive advantage to the individual. Yet, still today, much emotion perception research is focussed on emotion recognition from the face, and few v...

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Autores principales: Christensen, Julia F., Bruhn, Laura, Schmidt, Eva-Madeleine, Bahmanian, Nasimeh, Yazdi, Sina H. N., Farahi, Fahima, Sancho-Escanero, Luisa, Menninghaus, Winfried
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Nature Publishing Group UK 2023
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10229576/
https://www.ncbi.nlm.nih.gov/pubmed/37253770
http://dx.doi.org/10.1038/s41598-023-33656-4
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author Christensen, Julia F.
Bruhn, Laura
Schmidt, Eva-Madeleine
Bahmanian, Nasimeh
Yazdi, Sina H. N.
Farahi, Fahima
Sancho-Escanero, Luisa
Menninghaus, Winfried
author_facet Christensen, Julia F.
Bruhn, Laura
Schmidt, Eva-Madeleine
Bahmanian, Nasimeh
Yazdi, Sina H. N.
Farahi, Fahima
Sancho-Escanero, Luisa
Menninghaus, Winfried
author_sort Christensen, Julia F.
collection PubMed
description Ekman famously contended that there are different channels of emotional expression (face, voice, body), and that emotion recognition ability confers an adaptive advantage to the individual. Yet, still today, much emotion perception research is focussed on emotion recognition from the face, and few validated emotionally expressive full-body stimuli sets are available. Based on research on emotional speech perception, we created a new, highly controlled full-body stimuli set. We used the same-sequence approach, and not emotional actions (e.g., jumping of joy, recoiling in fear): One professional dancer danced 30 sequences of (dance) movements five times each, expressing joy, anger, fear, sadness or a neutral state, one at each repetition. We outline the creation of a total of 150, 6-s-long such video stimuli, that show the dancer as a white silhouette on a black background. Ratings from 90 participants (emotion recognition, aesthetic judgment) showed that intended emotion was recognized above chance (chance: 20%; joy: 45%, anger: 48%, fear: 37%, sadness: 50%, neutral state: 51%), and that aesthetic judgment was sensitive to the intended emotion (beauty ratings: joy > anger > fear > neutral state, and sad > fear > neutral state). The stimuli set, normative values and code are available for download.
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spelling pubmed-102295762023-06-01 A 5-emotions stimuli set for emotion perception research with full-body dance movements Christensen, Julia F. Bruhn, Laura Schmidt, Eva-Madeleine Bahmanian, Nasimeh Yazdi, Sina H. N. Farahi, Fahima Sancho-Escanero, Luisa Menninghaus, Winfried Sci Rep Article Ekman famously contended that there are different channels of emotional expression (face, voice, body), and that emotion recognition ability confers an adaptive advantage to the individual. Yet, still today, much emotion perception research is focussed on emotion recognition from the face, and few validated emotionally expressive full-body stimuli sets are available. Based on research on emotional speech perception, we created a new, highly controlled full-body stimuli set. We used the same-sequence approach, and not emotional actions (e.g., jumping of joy, recoiling in fear): One professional dancer danced 30 sequences of (dance) movements five times each, expressing joy, anger, fear, sadness or a neutral state, one at each repetition. We outline the creation of a total of 150, 6-s-long such video stimuli, that show the dancer as a white silhouette on a black background. Ratings from 90 participants (emotion recognition, aesthetic judgment) showed that intended emotion was recognized above chance (chance: 20%; joy: 45%, anger: 48%, fear: 37%, sadness: 50%, neutral state: 51%), and that aesthetic judgment was sensitive to the intended emotion (beauty ratings: joy > anger > fear > neutral state, and sad > fear > neutral state). The stimuli set, normative values and code are available for download. Nature Publishing Group UK 2023-05-30 /pmc/articles/PMC10229576/ /pubmed/37253770 http://dx.doi.org/10.1038/s41598-023-33656-4 Text en © The Author(s) 2023 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) .
spellingShingle Article
Christensen, Julia F.
Bruhn, Laura
Schmidt, Eva-Madeleine
Bahmanian, Nasimeh
Yazdi, Sina H. N.
Farahi, Fahima
Sancho-Escanero, Luisa
Menninghaus, Winfried
A 5-emotions stimuli set for emotion perception research with full-body dance movements
title A 5-emotions stimuli set for emotion perception research with full-body dance movements
title_full A 5-emotions stimuli set for emotion perception research with full-body dance movements
title_fullStr A 5-emotions stimuli set for emotion perception research with full-body dance movements
title_full_unstemmed A 5-emotions stimuli set for emotion perception research with full-body dance movements
title_short A 5-emotions stimuli set for emotion perception research with full-body dance movements
title_sort 5-emotions stimuli set for emotion perception research with full-body dance movements
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10229576/
https://www.ncbi.nlm.nih.gov/pubmed/37253770
http://dx.doi.org/10.1038/s41598-023-33656-4
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