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Assessing complementarities between live performances and YouTube video streaming
Digitization and increased accessibility to recorded music have made revenue-generating activities increasingly tied to live performances. In this context, identifying the full impact of concerts (namely capturing the value of activities that emerge as a consequence of them) is of primary interest t...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Springer Berlin Heidelberg
2023
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10232348/ https://www.ncbi.nlm.nih.gov/pubmed/37361944 http://dx.doi.org/10.1007/s00181-023-02444-4 |
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author | Montoro-Pons, Juan D. Caballer-Tarazona, María Cuadrado-García, Manuel |
author_facet | Montoro-Pons, Juan D. Caballer-Tarazona, María Cuadrado-García, Manuel |
author_sort | Montoro-Pons, Juan D. |
collection | PubMed |
description | Digitization and increased accessibility to recorded music have made revenue-generating activities increasingly tied to live performances. In this context, identifying the full impact of concerts (namely capturing the value of activities that emerge as a consequence of them) is of primary interest to assess the sustainability of the different music ecosystems. This paper analyzes spillover effects from playing live to YouTube video streaming. A sample of 190 artists performing in two international music festivals in years 2016 to 2019 has been selected, and the temporal patterns of online video searches for each one have been collected. Using a regression discontinuity design, results show a discrete jump of the YouTube search index for the average performer in the sample after playing live. Furthermore, there is evidence of a gender-specific effect: female performers experience a greater increase in YouTube searches. Though exploratory, this gender bias is consistent with potential theoretical explanations to be explored. Overall, findings provide causal evidence of the effect of live performances on a related but different market (i.e., recorded music), which underlines how technological disruptions may enable alternative revenue sources for musicians. |
format | Online Article Text |
id | pubmed-10232348 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2023 |
publisher | Springer Berlin Heidelberg |
record_format | MEDLINE/PubMed |
spelling | pubmed-102323482023-06-01 Assessing complementarities between live performances and YouTube video streaming Montoro-Pons, Juan D. Caballer-Tarazona, María Cuadrado-García, Manuel Empir Econ Article Digitization and increased accessibility to recorded music have made revenue-generating activities increasingly tied to live performances. In this context, identifying the full impact of concerts (namely capturing the value of activities that emerge as a consequence of them) is of primary interest to assess the sustainability of the different music ecosystems. This paper analyzes spillover effects from playing live to YouTube video streaming. A sample of 190 artists performing in two international music festivals in years 2016 to 2019 has been selected, and the temporal patterns of online video searches for each one have been collected. Using a regression discontinuity design, results show a discrete jump of the YouTube search index for the average performer in the sample after playing live. Furthermore, there is evidence of a gender-specific effect: female performers experience a greater increase in YouTube searches. Though exploratory, this gender bias is consistent with potential theoretical explanations to be explored. Overall, findings provide causal evidence of the effect of live performances on a related but different market (i.e., recorded music), which underlines how technological disruptions may enable alternative revenue sources for musicians. Springer Berlin Heidelberg 2023-06-01 /pmc/articles/PMC10232348/ /pubmed/37361944 http://dx.doi.org/10.1007/s00181-023-02444-4 Text en © The Author(s) 2023 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) . |
spellingShingle | Article Montoro-Pons, Juan D. Caballer-Tarazona, María Cuadrado-García, Manuel Assessing complementarities between live performances and YouTube video streaming |
title | Assessing complementarities between live performances and YouTube video streaming |
title_full | Assessing complementarities between live performances and YouTube video streaming |
title_fullStr | Assessing complementarities between live performances and YouTube video streaming |
title_full_unstemmed | Assessing complementarities between live performances and YouTube video streaming |
title_short | Assessing complementarities between live performances and YouTube video streaming |
title_sort | assessing complementarities between live performances and youtube video streaming |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10232348/ https://www.ncbi.nlm.nih.gov/pubmed/37361944 http://dx.doi.org/10.1007/s00181-023-02444-4 |
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