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Complicity at a distance: commemorating problematic involvement in perpetration in contemporary Central and Eastern European literatures

Background: In the twenty-first century, literatures from Central and Eastern Europe are marked by a boom of documentary fiction portraying complicity Nazi perpetration, Soviet terror, or other instances of 20th century mass violence and totalitarianism. Since understanding the past serves requireme...

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Detalles Bibliográficos
Autor principal: Prade-Weiss, Juliane
Formato: Online Artículo Texto
Lenguaje:English
Publicado: F1000 Research Limited 2022
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10446075/
https://www.ncbi.nlm.nih.gov/pubmed/37645281
http://dx.doi.org/10.12688/openreseurope.14631.2
Descripción
Sumario:Background: In the twenty-first century, literatures from Central and Eastern Europe are marked by a boom of documentary fiction portraying complicity Nazi perpetration, Soviet terror, or other instances of 20th century mass violence and totalitarianism. Since understanding the past serves requirements of the present, the boom prompts the question: Why the interest in past complicities now? My hypothesis is that the texts address convergences between involvements in past acts of mass violence and current forms of participation in wrongdoings in neoliberalism. While these issues differ profoundly, they are related: structurally, both present the challenge of forming a nuanced notion of participation. Historically, they are related since justifications of past involvements have established the terminology, narratives, and heuristics in which terror, repression, and mass violence are subsequently discussed, thus forming the frame for negotiating current problematic involvements. Method: Critical discourse analysis is used to scrutinize the legal concept of complicity and combined it with close readings of passages from four literary texts to outline how attention to reciprocity in language can enhance our understanding of problematic involvement. Results: Literary portrayals of historical complicity are ambivalent; they can help to find models for comprehending issues of the present in cultural memory, but they can also serve to establish distance between present and past to appease the sense that all is not quite well, even after the demise of Nazi and Soviet terror. The article outlines two modes of distancing: a) spacio-temporal distancing of the commemorating point of view in ‘the West’ from the portrayed violence in ‘the East’, and b) moral distancing that casts the audience as superior to complicit characters. Conclusion: By pressing for analytic or consoling distance, both strategies of distancing amount to a complicity with the transmission of discourses that justify, excuse, or deny mass violence and totalitarian terror.