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Classical singers are also proficient in non-classical singing

Classical singers train intensively for many years to achieve a high level of vocal control and specific sound characteristics. However, the actual span of singers’ activities often includes venues other than opera halls and requires performing in styles outside their strict training (e.g., singing...

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Autores principales: Bruder, Camila, Larrouy-Maestri, Pauline
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2023
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10630913/
https://www.ncbi.nlm.nih.gov/pubmed/38023013
http://dx.doi.org/10.3389/fpsyg.2023.1215370
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author Bruder, Camila
Larrouy-Maestri, Pauline
author_facet Bruder, Camila
Larrouy-Maestri, Pauline
author_sort Bruder, Camila
collection PubMed
description Classical singers train intensively for many years to achieve a high level of vocal control and specific sound characteristics. However, the actual span of singers’ activities often includes venues other than opera halls and requires performing in styles outside their strict training (e.g., singing pop songs at weddings). We examine classical singers’ ability to adjust their vocal productions to other styles, in relation with their formal training. Twenty-two highly trained female classical singers (aged from 22 to 45 years old; vocal training ranging from 4.5 to 27 years) performed six different melody excerpts a cappella in contrasting ways: as an opera aria, as a pop song and as a lullaby. All melodies were sung both with lyrics and with a /lu/ sound. All productions were acoustically analyzed in terms of seven common acoustic descriptors of voice/singing performances and perceptually evaluated by a total of 50 lay listeners (aged from 21 to 73 years old) who were asked to identify the intended singing style in a forced-choice lab experiment. Acoustic analyses of the 792 performances suggest distinct acoustic profiles, implying that singers were able to produce contrasting sounding performances. Furthermore, the high overall style recognition rate (78.5% Correct Responses, hence CR) confirmed singers’ proficiency in performing in operatic style (86% CR) and their versatility when it comes to lullaby (80% CR) and pop performances (69% CR), albeit with occasional confusion between the latter two. Interestingly, different levels of competence among singers appeared, with versatility (as estimated based on correct recognition in pop/lullaby styles) ranging from 62 to 83% depending on the singer. Importantly, this variability was not linked to formal training per se. Our results indicate that classical singers are versatile, and prompt the need for further investigations to clarify the role of singers’ broader professional and personal experiences in the development of this valuable ability.
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spelling pubmed-106309132023-10-25 Classical singers are also proficient in non-classical singing Bruder, Camila Larrouy-Maestri, Pauline Front Psychol Psychology Classical singers train intensively for many years to achieve a high level of vocal control and specific sound characteristics. However, the actual span of singers’ activities often includes venues other than opera halls and requires performing in styles outside their strict training (e.g., singing pop songs at weddings). We examine classical singers’ ability to adjust their vocal productions to other styles, in relation with their formal training. Twenty-two highly trained female classical singers (aged from 22 to 45 years old; vocal training ranging from 4.5 to 27 years) performed six different melody excerpts a cappella in contrasting ways: as an opera aria, as a pop song and as a lullaby. All melodies were sung both with lyrics and with a /lu/ sound. All productions were acoustically analyzed in terms of seven common acoustic descriptors of voice/singing performances and perceptually evaluated by a total of 50 lay listeners (aged from 21 to 73 years old) who were asked to identify the intended singing style in a forced-choice lab experiment. Acoustic analyses of the 792 performances suggest distinct acoustic profiles, implying that singers were able to produce contrasting sounding performances. Furthermore, the high overall style recognition rate (78.5% Correct Responses, hence CR) confirmed singers’ proficiency in performing in operatic style (86% CR) and their versatility when it comes to lullaby (80% CR) and pop performances (69% CR), albeit with occasional confusion between the latter two. Interestingly, different levels of competence among singers appeared, with versatility (as estimated based on correct recognition in pop/lullaby styles) ranging from 62 to 83% depending on the singer. Importantly, this variability was not linked to formal training per se. Our results indicate that classical singers are versatile, and prompt the need for further investigations to clarify the role of singers’ broader professional and personal experiences in the development of this valuable ability. Frontiers Media S.A. 2023-10-25 /pmc/articles/PMC10630913/ /pubmed/38023013 http://dx.doi.org/10.3389/fpsyg.2023.1215370 Text en Copyright © 2023 Bruder and Larrouy-Maestri. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Bruder, Camila
Larrouy-Maestri, Pauline
Classical singers are also proficient in non-classical singing
title Classical singers are also proficient in non-classical singing
title_full Classical singers are also proficient in non-classical singing
title_fullStr Classical singers are also proficient in non-classical singing
title_full_unstemmed Classical singers are also proficient in non-classical singing
title_short Classical singers are also proficient in non-classical singing
title_sort classical singers are also proficient in non-classical singing
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10630913/
https://www.ncbi.nlm.nih.gov/pubmed/38023013
http://dx.doi.org/10.3389/fpsyg.2023.1215370
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