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Functional near‐infrared spectroscopy approach to the emotional regulation effect of drawing: Venting versus distraction
BACKGROUND: Drawing can regulate emotions through venting or distraction. Distraction is more helpful for short‐term emotion recovery; however, the sustainability of this difference is yet to be clarified. This study used functional near‐infrared spectroscopy (fNIRS) to explore potential differences...
Autores principales: | , , , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
John Wiley and Sons Inc.
2023
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10636421/ https://www.ncbi.nlm.nih.gov/pubmed/37700566 http://dx.doi.org/10.1002/brb3.3248 |
Sumario: | BACKGROUND: Drawing can regulate emotions through venting or distraction. Distraction is more helpful for short‐term emotion recovery; however, the sustainability of this difference is yet to be clarified. This study used functional near‐infrared spectroscopy (fNIRS) to explore potential differences between venting and distraction. METHODS: A total of 44 college students participated in the experiment. After inducing fear by video, they were divided into two groups: The venting group drew their emotional experience, and the distraction group drew a house. Subsequently, the participants were instructed to relax by a brief video. RESULTS: Although the distraction group had a higher valence than the venting group at the end of the drawing activity, there was no difference between the two groups after a relaxation period. Additionally, the activation pattern of the prefrontal cortex differed between the two groups. Compared to the distraction group, the venting group had fewer channels with elevated prefrontal activity during drawing, suggesting less cognitive control, and had more channels with reduced prefrontal activity during relaxation, suggesting a higher level of relaxation. Drawing coding and fNIRS data were both associated with variations in valence. CONCLUSION: The less the cognitive control over emotion and the more free the expression of emotion during drawing, the higher the increase in valence; inversely, the more the cognitive control over emotion and the less free the expression of emotion, the lower the increase in valence. |
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