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Perceiving pitch absolutely: Comparing absolute and relative pitch possessors in a pitch memory task

BACKGROUND: The perceptual-cognitive mechanisms and neural correlates of Absolute Pitch (AP) are not fully understood. The aim of this fMRI study was to examine the neural network underlying AP using a pitch memory experiment and contrasting two groups of musicians with each other, those that have A...

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Detalles Bibliográficos
Autores principales: Schulze, Katrin, Gaab, Nadine, Schlaug, Gottfried
Formato: Texto
Lenguaje:English
Publicado: BioMed Central 2009
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2749857/
https://www.ncbi.nlm.nih.gov/pubmed/19712445
http://dx.doi.org/10.1186/1471-2202-10-106
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author Schulze, Katrin
Gaab, Nadine
Schlaug, Gottfried
author_facet Schulze, Katrin
Gaab, Nadine
Schlaug, Gottfried
author_sort Schulze, Katrin
collection PubMed
description BACKGROUND: The perceptual-cognitive mechanisms and neural correlates of Absolute Pitch (AP) are not fully understood. The aim of this fMRI study was to examine the neural network underlying AP using a pitch memory experiment and contrasting two groups of musicians with each other, those that have AP and those that do not. RESULTS: We found a common activation pattern for both groups that included the superior temporal gyrus (STG) extending into the adjacent superior temporal sulcus (STS), the inferior parietal lobule (IPL) extending into the adjacent intraparietal sulcus (IPS), the posterior part of the inferior frontal gyrus (IFG), the pre-supplementary motor area (pre-SMA), and superior lateral cerebellar regions. Significant between-group differences were seen in the left STS during the early encoding phase of the pitch memory task (more activation in AP musicians) and in the right superior parietal lobule (SPL)/intraparietal sulcus (IPS) during the early perceptual phase (ITP 0–3) and later working memory/multimodal encoding phase of the pitch memory task (more activation in non-AP musicians). Non-significant between-group trends were seen in the posterior IFG (more in AP musicians) and the IPL (more anterior activations in the non-AP group and more posterior activations in the AP group). CONCLUSION: Since the increased activation of the left STS in AP musicians was observed during the early perceptual encoding phase and since the STS has been shown to be involved in categorization tasks, its activation might suggest that AP musicians involve categorization regions in tonal tasks. The increased activation of the right SPL/IPS in non-AP musicians indicates either an increased use of regions that are part of a tonal working memory (WM) network, or the use of a multimodal encoding strategy such as the utilization of a visual-spatial mapping scheme (i.e., imagining notes on a staff or using a spatial coding for their relative pitch height) for pitch information.
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spelling pubmed-27498572009-09-24 Perceiving pitch absolutely: Comparing absolute and relative pitch possessors in a pitch memory task Schulze, Katrin Gaab, Nadine Schlaug, Gottfried BMC Neurosci Research article BACKGROUND: The perceptual-cognitive mechanisms and neural correlates of Absolute Pitch (AP) are not fully understood. The aim of this fMRI study was to examine the neural network underlying AP using a pitch memory experiment and contrasting two groups of musicians with each other, those that have AP and those that do not. RESULTS: We found a common activation pattern for both groups that included the superior temporal gyrus (STG) extending into the adjacent superior temporal sulcus (STS), the inferior parietal lobule (IPL) extending into the adjacent intraparietal sulcus (IPS), the posterior part of the inferior frontal gyrus (IFG), the pre-supplementary motor area (pre-SMA), and superior lateral cerebellar regions. Significant between-group differences were seen in the left STS during the early encoding phase of the pitch memory task (more activation in AP musicians) and in the right superior parietal lobule (SPL)/intraparietal sulcus (IPS) during the early perceptual phase (ITP 0–3) and later working memory/multimodal encoding phase of the pitch memory task (more activation in non-AP musicians). Non-significant between-group trends were seen in the posterior IFG (more in AP musicians) and the IPL (more anterior activations in the non-AP group and more posterior activations in the AP group). CONCLUSION: Since the increased activation of the left STS in AP musicians was observed during the early perceptual encoding phase and since the STS has been shown to be involved in categorization tasks, its activation might suggest that AP musicians involve categorization regions in tonal tasks. The increased activation of the right SPL/IPS in non-AP musicians indicates either an increased use of regions that are part of a tonal working memory (WM) network, or the use of a multimodal encoding strategy such as the utilization of a visual-spatial mapping scheme (i.e., imagining notes on a staff or using a spatial coding for their relative pitch height) for pitch information. BioMed Central 2009-08-27 /pmc/articles/PMC2749857/ /pubmed/19712445 http://dx.doi.org/10.1186/1471-2202-10-106 Text en Copyright ©2009 Schulze et al; licensee BioMed Central Ltd. http://creativecommons.org/licenses/by/2.0 This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/2.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
spellingShingle Research article
Schulze, Katrin
Gaab, Nadine
Schlaug, Gottfried
Perceiving pitch absolutely: Comparing absolute and relative pitch possessors in a pitch memory task
title Perceiving pitch absolutely: Comparing absolute and relative pitch possessors in a pitch memory task
title_full Perceiving pitch absolutely: Comparing absolute and relative pitch possessors in a pitch memory task
title_fullStr Perceiving pitch absolutely: Comparing absolute and relative pitch possessors in a pitch memory task
title_full_unstemmed Perceiving pitch absolutely: Comparing absolute and relative pitch possessors in a pitch memory task
title_short Perceiving pitch absolutely: Comparing absolute and relative pitch possessors in a pitch memory task
title_sort perceiving pitch absolutely: comparing absolute and relative pitch possessors in a pitch memory task
topic Research article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2749857/
https://www.ncbi.nlm.nih.gov/pubmed/19712445
http://dx.doi.org/10.1186/1471-2202-10-106
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