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The Contribution of Sound Intensity in Vocal Emotion Perception: Behavioral and Electrophysiological Evidence

Although its role is frequently stressed in acoustic profile for vocal emotion, sound intensity is frequently regarded as a control parameter in neurocognitive studies of vocal emotion, leaving its role and neural underpinnings unclear. To investigate these issues, we asked participants to rate the...

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Detalles Bibliográficos
Autores principales: Chen, Xuhai, Yang, Jianfeng, Gan, Shuzhen, Yang, Yufang
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Public Library of Science 2012
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3264585/
https://www.ncbi.nlm.nih.gov/pubmed/22291928
http://dx.doi.org/10.1371/journal.pone.0030278
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author Chen, Xuhai
Yang, Jianfeng
Gan, Shuzhen
Yang, Yufang
author_facet Chen, Xuhai
Yang, Jianfeng
Gan, Shuzhen
Yang, Yufang
author_sort Chen, Xuhai
collection PubMed
description Although its role is frequently stressed in acoustic profile for vocal emotion, sound intensity is frequently regarded as a control parameter in neurocognitive studies of vocal emotion, leaving its role and neural underpinnings unclear. To investigate these issues, we asked participants to rate the angry level of neutral and angry prosodies before and after sound intensity modification in Experiment 1, and recorded electroencephalogram (EEG) for mismatching emotional prosodies with and without sound intensity modification and for matching emotional prosodies while participants performed emotional feature or sound intensity congruity judgment in Experiment 2. It was found that sound intensity modification had significant effect on the rating of angry level for angry prosodies, but not for neutral ones. Moreover, mismatching emotional prosodies, relative to matching ones, induced enhanced N2/P3 complex and theta band synchronization irrespective of sound intensity modification and task demands. However, mismatching emotional prosodies with reduced sound intensity showed prolonged peak latency and decreased amplitude in N2/P3 complex and smaller theta band synchronization. These findings suggest that though it cannot categorically affect emotionality conveyed in emotional prosodies, sound intensity contributes to emotional significance quantitatively, implying that sound intensity should not simply be taken as a control parameter and its unique role needs to be specified in vocal emotion studies.
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spelling pubmed-32645852012-01-30 The Contribution of Sound Intensity in Vocal Emotion Perception: Behavioral and Electrophysiological Evidence Chen, Xuhai Yang, Jianfeng Gan, Shuzhen Yang, Yufang PLoS One Research Article Although its role is frequently stressed in acoustic profile for vocal emotion, sound intensity is frequently regarded as a control parameter in neurocognitive studies of vocal emotion, leaving its role and neural underpinnings unclear. To investigate these issues, we asked participants to rate the angry level of neutral and angry prosodies before and after sound intensity modification in Experiment 1, and recorded electroencephalogram (EEG) for mismatching emotional prosodies with and without sound intensity modification and for matching emotional prosodies while participants performed emotional feature or sound intensity congruity judgment in Experiment 2. It was found that sound intensity modification had significant effect on the rating of angry level for angry prosodies, but not for neutral ones. Moreover, mismatching emotional prosodies, relative to matching ones, induced enhanced N2/P3 complex and theta band synchronization irrespective of sound intensity modification and task demands. However, mismatching emotional prosodies with reduced sound intensity showed prolonged peak latency and decreased amplitude in N2/P3 complex and smaller theta band synchronization. These findings suggest that though it cannot categorically affect emotionality conveyed in emotional prosodies, sound intensity contributes to emotional significance quantitatively, implying that sound intensity should not simply be taken as a control parameter and its unique role needs to be specified in vocal emotion studies. Public Library of Science 2012-01-23 /pmc/articles/PMC3264585/ /pubmed/22291928 http://dx.doi.org/10.1371/journal.pone.0030278 Text en Chen et al. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are properly credited.
spellingShingle Research Article
Chen, Xuhai
Yang, Jianfeng
Gan, Shuzhen
Yang, Yufang
The Contribution of Sound Intensity in Vocal Emotion Perception: Behavioral and Electrophysiological Evidence
title The Contribution of Sound Intensity in Vocal Emotion Perception: Behavioral and Electrophysiological Evidence
title_full The Contribution of Sound Intensity in Vocal Emotion Perception: Behavioral and Electrophysiological Evidence
title_fullStr The Contribution of Sound Intensity in Vocal Emotion Perception: Behavioral and Electrophysiological Evidence
title_full_unstemmed The Contribution of Sound Intensity in Vocal Emotion Perception: Behavioral and Electrophysiological Evidence
title_short The Contribution of Sound Intensity in Vocal Emotion Perception: Behavioral and Electrophysiological Evidence
title_sort contribution of sound intensity in vocal emotion perception: behavioral and electrophysiological evidence
topic Research Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3264585/
https://www.ncbi.nlm.nih.gov/pubmed/22291928
http://dx.doi.org/10.1371/journal.pone.0030278
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