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And to end on a poetic note: Galen’s authorial strategies in the pharmacological books

This paper examines the authorial strategies deployed by Galen in his two main pharmacological treatises devoted to compound remedies: Composition of Medicines according to Types and Composition of Medicines according to Places. Some of Galen’s methods of self assertion (use of the first person; wri...

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Autor principal: Totelin, Laurence M.V.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Pergamon Press 2012
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3396420/
https://www.ncbi.nlm.nih.gov/pubmed/22849032
http://dx.doi.org/10.1016/j.shpsa.2011.12.019
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author Totelin, Laurence M.V.
author_facet Totelin, Laurence M.V.
author_sort Totelin, Laurence M.V.
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description This paper examines the authorial strategies deployed by Galen in his two main pharmacological treatises devoted to compound remedies: Composition of Medicines according to Types and Composition of Medicines according to Places. Some of Galen’s methods of self assertion (use of the first person; writing of prefaces) are conventional. Others have not received much attention from scholars. Thus, here, I examine Galen’s borrowing of his sources’ ‘I’; his use of the phrase ‘in these words’; and his recourse to Damocrates’ verse to conclude pharmacological books. I argue that Galen’s authorial persona is very different from that of the modern author as defined by Roland Barthes. Galen imitates and impersonates his pharmacological sources. This re-enactment becomes a way to gain experience (peira) of remedies and guarantees their efficacy.
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spelling pubmed-33964202012-07-17 And to end on a poetic note: Galen’s authorial strategies in the pharmacological books Totelin, Laurence M.V. Stud Hist Philos Sci Article This paper examines the authorial strategies deployed by Galen in his two main pharmacological treatises devoted to compound remedies: Composition of Medicines according to Types and Composition of Medicines according to Places. Some of Galen’s methods of self assertion (use of the first person; writing of prefaces) are conventional. Others have not received much attention from scholars. Thus, here, I examine Galen’s borrowing of his sources’ ‘I’; his use of the phrase ‘in these words’; and his recourse to Damocrates’ verse to conclude pharmacological books. I argue that Galen’s authorial persona is very different from that of the modern author as defined by Roland Barthes. Galen imitates and impersonates his pharmacological sources. This re-enactment becomes a way to gain experience (peira) of remedies and guarantees their efficacy. Pergamon Press 2012-06 /pmc/articles/PMC3396420/ /pubmed/22849032 http://dx.doi.org/10.1016/j.shpsa.2011.12.019 Text en © 2012 Elsevier Ltd. https://creativecommons.org/licenses/by/3.0/ Open Access under CC BY 3.0 (https://creativecommons.org/licenses/by/3.0/) license
spellingShingle Article
Totelin, Laurence M.V.
And to end on a poetic note: Galen’s authorial strategies in the pharmacological books
title And to end on a poetic note: Galen’s authorial strategies in the pharmacological books
title_full And to end on a poetic note: Galen’s authorial strategies in the pharmacological books
title_fullStr And to end on a poetic note: Galen’s authorial strategies in the pharmacological books
title_full_unstemmed And to end on a poetic note: Galen’s authorial strategies in the pharmacological books
title_short And to end on a poetic note: Galen’s authorial strategies in the pharmacological books
title_sort and to end on a poetic note: galen’s authorial strategies in the pharmacological books
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3396420/
https://www.ncbi.nlm.nih.gov/pubmed/22849032
http://dx.doi.org/10.1016/j.shpsa.2011.12.019
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