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San Lorenzo and the Poggendorff illusion in Ravenna

In the Mausoleum of Galla Placidia (Ravenna, Italy), the San Lorenzo lunette shows two peculiar visual effects: a transparency effect of gold seen through gold and perceptual collinearity between two parts of a cross which are physically misaligned. Both effects are found within the area of the halo...

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Autores principales: Daneyko, Olga, Stucchi, Natale, Zavagno, Daniele
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Pion 2011
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485787/
https://www.ncbi.nlm.nih.gov/pubmed/23145241
http://dx.doi.org/10.1068/i0440aap
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author Daneyko, Olga
Stucchi, Natale
Zavagno, Daniele
author_facet Daneyko, Olga
Stucchi, Natale
Zavagno, Daniele
author_sort Daneyko, Olga
collection PubMed
description In the Mausoleum of Galla Placidia (Ravenna, Italy), the San Lorenzo lunette shows two peculiar visual effects: a transparency effect of gold seen through gold and perceptual collinearity between two parts of a cross which are physically misaligned. Both effects are found within the area of the halo surrounding the saint's head. In this work we addressed the problem posed by the physical misalignment of the cross. Our hypothesis is that the physical misalignment went unnoticed throughout history because the artist produced a perceptual alignment to correct for the Poggendorff illusion. Hence, we asked observers to align two ends of a cross in a reproduction showing the silhouette of San Lorenzo's torso holding the cross. Results support our hypothesis: both direction and magnitude of adjustments comply with the alignment in the original mosaic.
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spelling pubmed-34857872012-11-09 San Lorenzo and the Poggendorff illusion in Ravenna Daneyko, Olga Stucchi, Natale Zavagno, Daniele Iperception Art and Perception In the Mausoleum of Galla Placidia (Ravenna, Italy), the San Lorenzo lunette shows two peculiar visual effects: a transparency effect of gold seen through gold and perceptual collinearity between two parts of a cross which are physically misaligned. Both effects are found within the area of the halo surrounding the saint's head. In this work we addressed the problem posed by the physical misalignment of the cross. Our hypothesis is that the physical misalignment went unnoticed throughout history because the artist produced a perceptual alignment to correct for the Poggendorff illusion. Hence, we asked observers to align two ends of a cross in a reproduction showing the silhouette of San Lorenzo's torso holding the cross. Results support our hypothesis: both direction and magnitude of adjustments comply with the alignment in the original mosaic. Pion 2011-08-23 /pmc/articles/PMC3485787/ /pubmed/23145241 http://dx.doi.org/10.1068/i0440aap Text en Copyright © 2011 O Daneyko, N Stucchi, D Zavagno http://creativecommons.org/licenses/by-nc-nd/3.0/ This open-access article is distributed under a Creative Commons Licence, which permits noncommercial use, distribution, and reproduction, provided the original author(s) and source are credited and no alterations are made.
spellingShingle Art and Perception
Daneyko, Olga
Stucchi, Natale
Zavagno, Daniele
San Lorenzo and the Poggendorff illusion in Ravenna
title San Lorenzo and the Poggendorff illusion in Ravenna
title_full San Lorenzo and the Poggendorff illusion in Ravenna
title_fullStr San Lorenzo and the Poggendorff illusion in Ravenna
title_full_unstemmed San Lorenzo and the Poggendorff illusion in Ravenna
title_short San Lorenzo and the Poggendorff illusion in Ravenna
title_sort san lorenzo and the poggendorff illusion in ravenna
topic Art and Perception
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485787/
https://www.ncbi.nlm.nih.gov/pubmed/23145241
http://dx.doi.org/10.1068/i0440aap
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