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Depth

Depth is the feeling of remoteness, or separateness, that accompanies awareness in human modalities like vision and audition. In specific cases depths can be graded on an ordinal scale, or even measured quantitatively on an interval scale. In the case of pictorial vision this is complicated by the f...

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Detalles Bibliográficos
Autores principales: Koenderink, Jan J, van Doorn, Andrea J, Wagemans, Johan
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Pion 2011
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485797/
https://www.ncbi.nlm.nih.gov/pubmed/23145244
http://dx.doi.org/10.1068/i0438aap
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author Koenderink, Jan J
van Doorn, Andrea J
Wagemans, Johan
author_facet Koenderink, Jan J
van Doorn, Andrea J
Wagemans, Johan
author_sort Koenderink, Jan J
collection PubMed
description Depth is the feeling of remoteness, or separateness, that accompanies awareness in human modalities like vision and audition. In specific cases depths can be graded on an ordinal scale, or even measured quantitatively on an interval scale. In the case of pictorial vision this is complicated by the fact that human observers often appear to apply mental transformations that involve depths in distinct visual directions. This implies that a comparison of empirically determined depths between observers involves pictorial space as an integral entity, whereas comparing pictorial depths as such is meaningless. We describe the formal structure of pictorial space purely in the phenomenological domain, without taking recourse to the theories of optics which properly apply to physical space—a distinct ontological domain. We introduce a number of general ways to design and implement methods of geodesy in pictorial space, and discuss some basic problems associated with such measurements. We deal mainly with conceptual issues.
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spelling pubmed-34857972012-11-09 Depth Koenderink, Jan J van Doorn, Andrea J Wagemans, Johan Iperception Art and Perception Depth is the feeling of remoteness, or separateness, that accompanies awareness in human modalities like vision and audition. In specific cases depths can be graded on an ordinal scale, or even measured quantitatively on an interval scale. In the case of pictorial vision this is complicated by the fact that human observers often appear to apply mental transformations that involve depths in distinct visual directions. This implies that a comparison of empirically determined depths between observers involves pictorial space as an integral entity, whereas comparing pictorial depths as such is meaningless. We describe the formal structure of pictorial space purely in the phenomenological domain, without taking recourse to the theories of optics which properly apply to physical space—a distinct ontological domain. We introduce a number of general ways to design and implement methods of geodesy in pictorial space, and discuss some basic problems associated with such measurements. We deal mainly with conceptual issues. Pion 2011-09-15 /pmc/articles/PMC3485797/ /pubmed/23145244 http://dx.doi.org/10.1068/i0438aap Text en Copyright © 2011 J J Koenderink, A J van Doorn, J Wagemans http://creativecommons.org/licenses/by-nc-nd/3.0/ This open-access article is distributed under a Creative Commons Licence, which permits noncommercial use, distribution, and reproduction, provided the original author(s) and source are credited and no alterations are made.
spellingShingle Art and Perception
Koenderink, Jan J
van Doorn, Andrea J
Wagemans, Johan
Depth
title Depth
title_full Depth
title_fullStr Depth
title_full_unstemmed Depth
title_short Depth
title_sort depth
topic Art and Perception
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485797/
https://www.ncbi.nlm.nih.gov/pubmed/23145244
http://dx.doi.org/10.1068/i0438aap
work_keys_str_mv AT koenderinkjanj depth
AT vandoornandreaj depth
AT wagemansjohan depth