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The effect of left-right reversal on film: Watching Kurosawa reversed

The mirror reversal of an image is subtly different from the original. Often such change goes unnoticed in pictures, although it can affect preference. For the first time we studied the effect of mirror reversal of feature films. People watched Yojimbo or Sanjuro in a cinema, both classic films by A...

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Detalles Bibliográficos
Autores principales: Bertamini, Marco, Bode, Carole, Bruno, Nicola
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Pion 2011
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485799/
https://www.ncbi.nlm.nih.gov/pubmed/23145243
http://dx.doi.org/10.1068/i0451aap
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author Bertamini, Marco
Bode, Carole
Bruno, Nicola
author_facet Bertamini, Marco
Bode, Carole
Bruno, Nicola
author_sort Bertamini, Marco
collection PubMed
description The mirror reversal of an image is subtly different from the original. Often such change goes unnoticed in pictures, although it can affect preference. For the first time we studied the effect of mirror reversal of feature films. People watched Yojimbo or Sanjuro in a cinema, both classic films by Akira Kurosawa. They knew that this was a study and filled out a questionnaire. On one day Yojimbo was shown in its original orientation, and on another day the film was mirror reversed. Sanjuro was shown reversed on one day and non-reversed on another day. Viewers did not notice the reversal, even when they had seen the film before and considered themselves fans of Kurosawa. We compared this with estimates from a survey. In addition, the question about the use of space (scenography) revealed that although people who had seen the film before gave higher ratings compared with those who had not, this was only true when the film was not reversed.
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spelling pubmed-34857992012-11-09 The effect of left-right reversal on film: Watching Kurosawa reversed Bertamini, Marco Bode, Carole Bruno, Nicola Iperception Art and Perception The mirror reversal of an image is subtly different from the original. Often such change goes unnoticed in pictures, although it can affect preference. For the first time we studied the effect of mirror reversal of feature films. People watched Yojimbo or Sanjuro in a cinema, both classic films by Akira Kurosawa. They knew that this was a study and filled out a questionnaire. On one day Yojimbo was shown in its original orientation, and on another day the film was mirror reversed. Sanjuro was shown reversed on one day and non-reversed on another day. Viewers did not notice the reversal, even when they had seen the film before and considered themselves fans of Kurosawa. We compared this with estimates from a survey. In addition, the question about the use of space (scenography) revealed that although people who had seen the film before gave higher ratings compared with those who had not, this was only true when the film was not reversed. Pion 2011-09-15 /pmc/articles/PMC3485799/ /pubmed/23145243 http://dx.doi.org/10.1068/i0451aap Text en Copyright © 2011 M Bertamini, C Bode, N Bruno http://creativecommons.org/licenses/by-nc-nd/3.0/ This open-access article is distributed under a Creative Commons Licence, which permits noncommercial use, distribution, and reproduction, provided the original author(s) and source are credited and no alterations are made.
spellingShingle Art and Perception
Bertamini, Marco
Bode, Carole
Bruno, Nicola
The effect of left-right reversal on film: Watching Kurosawa reversed
title The effect of left-right reversal on film: Watching Kurosawa reversed
title_full The effect of left-right reversal on film: Watching Kurosawa reversed
title_fullStr The effect of left-right reversal on film: Watching Kurosawa reversed
title_full_unstemmed The effect of left-right reversal on film: Watching Kurosawa reversed
title_short The effect of left-right reversal on film: Watching Kurosawa reversed
title_sort effect of left-right reversal on film: watching kurosawa reversed
topic Art and Perception
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485799/
https://www.ncbi.nlm.nih.gov/pubmed/23145243
http://dx.doi.org/10.1068/i0451aap
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