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Perceptual organization of shape, color, shade, and lighting in visual and pictorial objects

The main questions we asked in this work are the following: Where are representations of shape, color, depth, and lighting mostly located? Does their formation take time to develop? How do they contribute to determining and defining a visual object, and how do they differ? How do visual artists use...

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Detalles Bibliográficos
Autor principal: Pinna, Baingio
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Pion 2012
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485826/
https://www.ncbi.nlm.nih.gov/pubmed/23145283
http://dx.doi.org/10.1068/i0460aap
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author Pinna, Baingio
author_facet Pinna, Baingio
author_sort Pinna, Baingio
collection PubMed
description The main questions we asked in this work are the following: Where are representations of shape, color, depth, and lighting mostly located? Does their formation take time to develop? How do they contribute to determining and defining a visual object, and how do they differ? How do visual artists use them to create objects and scenes? Is the way artists use them related to the way we perceive them? To answer these questions, we studied the microgenetic development of the object perception and formation. Our hypothesis is that the main object properties are extracted in sequential order and in the same order that these roles are also used by artists and children of different age to paint objects. The results supported the microgenesis of object formation according to the following sequence: contours, color, shading, and lighting.
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spelling pubmed-34858262012-11-09 Perceptual organization of shape, color, shade, and lighting in visual and pictorial objects Pinna, Baingio Iperception Art and Perception The main questions we asked in this work are the following: Where are representations of shape, color, depth, and lighting mostly located? Does their formation take time to develop? How do they contribute to determining and defining a visual object, and how do they differ? How do visual artists use them to create objects and scenes? Is the way artists use them related to the way we perceive them? To answer these questions, we studied the microgenetic development of the object perception and formation. Our hypothesis is that the main object properties are extracted in sequential order and in the same order that these roles are also used by artists and children of different age to paint objects. The results supported the microgenesis of object formation according to the following sequence: contours, color, shading, and lighting. Pion 2012-05-03 /pmc/articles/PMC3485826/ /pubmed/23145283 http://dx.doi.org/10.1068/i0460aap Text en Copyright © 2012 B Pinna http://creativecommons.org/licenses/by-nc-nd/3.0/ This open-access article is distributed under a Creative Commons Licence, which permits noncommercial use, distribution, and reproduction, provided the original author(s) and source are credited and no alterations are made.
spellingShingle Art and Perception
Pinna, Baingio
Perceptual organization of shape, color, shade, and lighting in visual and pictorial objects
title Perceptual organization of shape, color, shade, and lighting in visual and pictorial objects
title_full Perceptual organization of shape, color, shade, and lighting in visual and pictorial objects
title_fullStr Perceptual organization of shape, color, shade, and lighting in visual and pictorial objects
title_full_unstemmed Perceptual organization of shape, color, shade, and lighting in visual and pictorial objects
title_short Perceptual organization of shape, color, shade, and lighting in visual and pictorial objects
title_sort perceptual organization of shape, color, shade, and lighting in visual and pictorial objects
topic Art and Perception
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485826/
https://www.ncbi.nlm.nih.gov/pubmed/23145283
http://dx.doi.org/10.1068/i0460aap
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