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The role of head movements and signal spectrum in an auditory front/back illusion

We used a dynamic auditory spatial illusion to investigate the role of self-motion and acoustics in shaping our spatial percept of the environment. Using motion capture, we smoothly moved a sound source around listeners as a function of their own head movements. A lowpass filtered sound behind a lis...

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Detalles Bibliográficos
Autores principales: Brimijoin, W Owen, Akeroyd, Michael A
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Pion 2012
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485843/
https://www.ncbi.nlm.nih.gov/pubmed/23145279
http://dx.doi.org/10.1068/i7173sas
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author Brimijoin, W Owen
Akeroyd, Michael A
author_facet Brimijoin, W Owen
Akeroyd, Michael A
author_sort Brimijoin, W Owen
collection PubMed
description We used a dynamic auditory spatial illusion to investigate the role of self-motion and acoustics in shaping our spatial percept of the environment. Using motion capture, we smoothly moved a sound source around listeners as a function of their own head movements. A lowpass filtered sound behind a listener that moved in the direction it would have moved if it had been located in the front was perceived as statically located in front. The contrariwise effect occurred if the sound was in front but moved as if it were behind. The illusion was strongest for sounds lowpass filtered at 500 Hz and weakened as a function of increasing lowpass cut-off frequency. The signals with the most high frequency energy were often associated with an unstable location percept that flickered from front to back as self-motion cues and spectral cues for location came into conflict with one another.
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spelling pubmed-34858432012-11-09 The role of head movements and signal spectrum in an auditory front/back illusion Brimijoin, W Owen Akeroyd, Michael A Iperception Short and Sweet We used a dynamic auditory spatial illusion to investigate the role of self-motion and acoustics in shaping our spatial percept of the environment. Using motion capture, we smoothly moved a sound source around listeners as a function of their own head movements. A lowpass filtered sound behind a listener that moved in the direction it would have moved if it had been located in the front was perceived as statically located in front. The contrariwise effect occurred if the sound was in front but moved as if it were behind. The illusion was strongest for sounds lowpass filtered at 500 Hz and weakened as a function of increasing lowpass cut-off frequency. The signals with the most high frequency energy were often associated with an unstable location percept that flickered from front to back as self-motion cues and spectral cues for location came into conflict with one another. Pion 2012-03-22 /pmc/articles/PMC3485843/ /pubmed/23145279 http://dx.doi.org/10.1068/i7173sas Text en Copyright © 2012 W O Brimijoin, M Akeroyd http://creativecommons.org/licenses/by-nc-nd/3.0/ This open-access article is distributed under a Creative Commons Licence, which permits noncommercial use, distribution, and reproduction, provided the original author(s) and source are credited and no alterations are made.
spellingShingle Short and Sweet
Brimijoin, W Owen
Akeroyd, Michael A
The role of head movements and signal spectrum in an auditory front/back illusion
title The role of head movements and signal spectrum in an auditory front/back illusion
title_full The role of head movements and signal spectrum in an auditory front/back illusion
title_fullStr The role of head movements and signal spectrum in an auditory front/back illusion
title_full_unstemmed The role of head movements and signal spectrum in an auditory front/back illusion
title_short The role of head movements and signal spectrum in an auditory front/back illusion
title_sort role of head movements and signal spectrum in an auditory front/back illusion
topic Short and Sweet
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485843/
https://www.ncbi.nlm.nih.gov/pubmed/23145279
http://dx.doi.org/10.1068/i7173sas
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