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The ingenious Mr Hughes: Combining forced, flat, and reverse perspective all in one art piece to pit objects against surfaces

The artist Patrick Hughes has ingeniously painted rows of stacked Brillo boxes in Forced into Reverse Perspective. The geometry is in reverse perspective, predicting only one type of illusory motion for each planar surface for moving viewers. He “broke” these surfaces into objects by painting the bo...

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Detalles Bibliográficos
Autores principales: Papathomas, Thomas V, Baker, Nicholas, Yeshua, Arielle S, Zhuang, Xiaohua, Ng, Andrew
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Pion 2012
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485844/
https://www.ncbi.nlm.nih.gov/pubmed/23145280
http://dx.doi.org/10.1068/i0478sas
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author Papathomas, Thomas V
Baker, Nicholas
Yeshua, Arielle S
Zhuang, Xiaohua
Ng, Andrew
author_facet Papathomas, Thomas V
Baker, Nicholas
Yeshua, Arielle S
Zhuang, Xiaohua
Ng, Andrew
author_sort Papathomas, Thomas V
collection PubMed
description The artist Patrick Hughes has ingeniously painted rows of stacked Brillo boxes in Forced into Reverse Perspective. The geometry is in reverse perspective, predicting only one type of illusory motion for each planar surface for moving viewers. He “broke” these surfaces into objects by painting the boxes in three types of perspective (planar, forced, and reverse). Our experiments confirmed that he succeeded in eliciting different types of illusory motion, including “differential motion” between boxes for most viewers. In some sense, this illustrates the superiority of secondary (painted) over primary (physical) cues.
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spelling pubmed-34858442012-11-09 The ingenious Mr Hughes: Combining forced, flat, and reverse perspective all in one art piece to pit objects against surfaces Papathomas, Thomas V Baker, Nicholas Yeshua, Arielle S Zhuang, Xiaohua Ng, Andrew Iperception Short and Sweet The artist Patrick Hughes has ingeniously painted rows of stacked Brillo boxes in Forced into Reverse Perspective. The geometry is in reverse perspective, predicting only one type of illusory motion for each planar surface for moving viewers. He “broke” these surfaces into objects by painting the boxes in three types of perspective (planar, forced, and reverse). Our experiments confirmed that he succeeded in eliciting different types of illusory motion, including “differential motion” between boxes for most viewers. In some sense, this illustrates the superiority of secondary (painted) over primary (physical) cues. Pion 2012-03-26 /pmc/articles/PMC3485844/ /pubmed/23145280 http://dx.doi.org/10.1068/i0478sas Text en Copyright © 2012 Papathomas T V, Baker N, Yeshua A S, Zhuang X, Ng A http://creativecommons.org/licenses/by-nc-nd/3.0/ This open-access article is distributed under a Creative Commons Licence, which permits noncommercial use, distribution, and reproduction, provided the original author(s) and source are credited and no alterations are made.
spellingShingle Short and Sweet
Papathomas, Thomas V
Baker, Nicholas
Yeshua, Arielle S
Zhuang, Xiaohua
Ng, Andrew
The ingenious Mr Hughes: Combining forced, flat, and reverse perspective all in one art piece to pit objects against surfaces
title The ingenious Mr Hughes: Combining forced, flat, and reverse perspective all in one art piece to pit objects against surfaces
title_full The ingenious Mr Hughes: Combining forced, flat, and reverse perspective all in one art piece to pit objects against surfaces
title_fullStr The ingenious Mr Hughes: Combining forced, flat, and reverse perspective all in one art piece to pit objects against surfaces
title_full_unstemmed The ingenious Mr Hughes: Combining forced, flat, and reverse perspective all in one art piece to pit objects against surfaces
title_short The ingenious Mr Hughes: Combining forced, flat, and reverse perspective all in one art piece to pit objects against surfaces
title_sort ingenious mr hughes: combining forced, flat, and reverse perspective all in one art piece to pit objects against surfaces
topic Short and Sweet
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3485844/
https://www.ncbi.nlm.nih.gov/pubmed/23145280
http://dx.doi.org/10.1068/i0478sas
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