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Repetition and Emotive Communication in Music Versus Speech
Music and speech are often placed alongside one another as comparative cases. Their relative overlaps and disassociations have been well explored (e.g., Patel, 2008). But one key attribute distinguishing these two domains has often been overlooked: the greater preponderance of repetition in music in...
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Formato: | Online Artículo Texto |
Lenguaje: | English |
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Frontiers Media S.A.
2013
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Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3616255/ https://www.ncbi.nlm.nih.gov/pubmed/23576998 http://dx.doi.org/10.3389/fpsyg.2013.00167 |
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author | Margulis, Elizabeth Hellmuth |
author_facet | Margulis, Elizabeth Hellmuth |
author_sort | Margulis, Elizabeth Hellmuth |
collection | PubMed |
description | Music and speech are often placed alongside one another as comparative cases. Their relative overlaps and disassociations have been well explored (e.g., Patel, 2008). But one key attribute distinguishing these two domains has often been overlooked: the greater preponderance of repetition in music in comparison to speech. Recent fMRI studies have shown that familiarity – achieved through repetition – is a critical component of emotional engagement with music (Pereira et al., 2011). If repetition is fundamental to emotional responses to music, and repetition is a key distinguisher between the domains of music and speech, then close examination of the phenomenon of repetition might help clarify the ways that music elicits emotion differently than speech. |
format | Online Article Text |
id | pubmed-3616255 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2013 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-36162552013-04-10 Repetition and Emotive Communication in Music Versus Speech Margulis, Elizabeth Hellmuth Front Psychol Psychology Music and speech are often placed alongside one another as comparative cases. Their relative overlaps and disassociations have been well explored (e.g., Patel, 2008). But one key attribute distinguishing these two domains has often been overlooked: the greater preponderance of repetition in music in comparison to speech. Recent fMRI studies have shown that familiarity – achieved through repetition – is a critical component of emotional engagement with music (Pereira et al., 2011). If repetition is fundamental to emotional responses to music, and repetition is a key distinguisher between the domains of music and speech, then close examination of the phenomenon of repetition might help clarify the ways that music elicits emotion differently than speech. Frontiers Media S.A. 2013-04-04 /pmc/articles/PMC3616255/ /pubmed/23576998 http://dx.doi.org/10.3389/fpsyg.2013.00167 Text en Copyright © 2013 Margulis. http://creativecommons.org/licenses/by/3.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits use, distribution and reproduction in other forums, provided the original authors and source are credited and subject to any copyright notices concerning any third-party graphics etc. |
spellingShingle | Psychology Margulis, Elizabeth Hellmuth Repetition and Emotive Communication in Music Versus Speech |
title | Repetition and Emotive Communication in Music Versus Speech |
title_full | Repetition and Emotive Communication in Music Versus Speech |
title_fullStr | Repetition and Emotive Communication in Music Versus Speech |
title_full_unstemmed | Repetition and Emotive Communication in Music Versus Speech |
title_short | Repetition and Emotive Communication in Music Versus Speech |
title_sort | repetition and emotive communication in music versus speech |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3616255/ https://www.ncbi.nlm.nih.gov/pubmed/23576998 http://dx.doi.org/10.3389/fpsyg.2013.00167 |
work_keys_str_mv | AT marguliselizabethhellmuth repetitionandemotivecommunicationinmusicversusspeech |