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On why music changes what (we think) we taste

A pair of recently published studies demonstrate that what we happen to be listening to can sometimes change our perception (or, at the very least, our rating) of what we are eating or drinking. In one recent study, North (2012) showed that the emotional attributes (or connotation) of a piece of mus...

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Detalles Bibliográficos
Autores principales: Spence, Charles, Deroy, Ophelia
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Pion 2013
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3677333/
https://www.ncbi.nlm.nih.gov/pubmed/23755358
http://dx.doi.org/10.1068/i0577ic
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author Spence, Charles
Deroy, Ophelia
author_facet Spence, Charles
Deroy, Ophelia
author_sort Spence, Charles
collection PubMed
description A pair of recently published studies demonstrate that what we happen to be listening to can sometimes change our perception (or, at the very least, our rating) of what we are eating or drinking. In one recent study, North (2012) showed that the emotional attributes (or connotation) of a piece of music could influence people's perception of red or white wine. Meanwhile, Crisinel et al. (2012) reported that listening to a lower-pitched soundscape can help to emphasize the bitter notes in a bittersweet toffee while listening to a soundscape with a higher pitch tends to bring out its sweetness. Although the most appropriate psychological and neuroscientific explanations for such crossmodal effects are still uncertain, we outline a number of possible alternatives for such intriguing, not to mention surprising, phenomena.
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spelling pubmed-36773332013-06-10 On why music changes what (we think) we taste Spence, Charles Deroy, Ophelia Iperception i-Comment A pair of recently published studies demonstrate that what we happen to be listening to can sometimes change our perception (or, at the very least, our rating) of what we are eating or drinking. In one recent study, North (2012) showed that the emotional attributes (or connotation) of a piece of music could influence people's perception of red or white wine. Meanwhile, Crisinel et al. (2012) reported that listening to a lower-pitched soundscape can help to emphasize the bitter notes in a bittersweet toffee while listening to a soundscape with a higher pitch tends to bring out its sweetness. Although the most appropriate psychological and neuroscientific explanations for such crossmodal effects are still uncertain, we outline a number of possible alternatives for such intriguing, not to mention surprising, phenomena. Pion 2013-04-16 /pmc/articles/PMC3677333/ /pubmed/23755358 http://dx.doi.org/10.1068/i0577ic Text en Copyright 2013 C Spence, O Deroy http://creativecommons.org/licenses/by-nc-nd/3.0/ This open-access article is distributed under a Creative Commons Licence, which permits noncommercial use, distribution, and reproduction, provided the original author(s) and source are credited and no alterations are made.
spellingShingle i-Comment
Spence, Charles
Deroy, Ophelia
On why music changes what (we think) we taste
title On why music changes what (we think) we taste
title_full On why music changes what (we think) we taste
title_fullStr On why music changes what (we think) we taste
title_full_unstemmed On why music changes what (we think) we taste
title_short On why music changes what (we think) we taste
title_sort on why music changes what (we think) we taste
topic i-Comment
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3677333/
https://www.ncbi.nlm.nih.gov/pubmed/23755358
http://dx.doi.org/10.1068/i0577ic
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