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Interpreting expressive performance through listener judgments of musical tension
This study examines listener judgments of musical tension for a recording of a Schubert song and its harmonic reduction. Continuous tension ratings collected in an experiment and quantitative descriptions of the piece's musical features, include dynamics, pitch height, harmony, onset frequency,...
Autores principales: | , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Frontiers Media S.A.
2013
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3874841/ https://www.ncbi.nlm.nih.gov/pubmed/24416024 http://dx.doi.org/10.3389/fpsyg.2013.00998 |
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author | Farbood, Morwaread M. Upham, Finn |
author_facet | Farbood, Morwaread M. Upham, Finn |
author_sort | Farbood, Morwaread M. |
collection | PubMed |
description | This study examines listener judgments of musical tension for a recording of a Schubert song and its harmonic reduction. Continuous tension ratings collected in an experiment and quantitative descriptions of the piece's musical features, include dynamics, pitch height, harmony, onset frequency, and tempo, were analyzed from two different angles. In the first part of the analysis, the different processing timescales for disparate features contributing to tension were explored through the optimization of a predictive tension model. The results revealed the optimal time windows for harmony were considerably longer (~22 s) than for any other feature (~1–4 s). In the second part of the analysis, tension ratings for the individual verses of the song and its harmonic reduction were examined and compared. The results showed that although the average tension ratings between verses were very similar, differences in how and when participants reported tension changes highlighted performance decisions made in the interpretation of the score, ambiguity in tension implications of the music, and the potential importance of contrast between verses and phrases. Analysis of the tension ratings for the harmonic reduction also provided a new perspective for better understanding how complex musical features inform listener tension judgments. |
format | Online Article Text |
id | pubmed-3874841 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2013 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-38748412014-01-11 Interpreting expressive performance through listener judgments of musical tension Farbood, Morwaread M. Upham, Finn Front Psychol Psychology This study examines listener judgments of musical tension for a recording of a Schubert song and its harmonic reduction. Continuous tension ratings collected in an experiment and quantitative descriptions of the piece's musical features, include dynamics, pitch height, harmony, onset frequency, and tempo, were analyzed from two different angles. In the first part of the analysis, the different processing timescales for disparate features contributing to tension were explored through the optimization of a predictive tension model. The results revealed the optimal time windows for harmony were considerably longer (~22 s) than for any other feature (~1–4 s). In the second part of the analysis, tension ratings for the individual verses of the song and its harmonic reduction were examined and compared. The results showed that although the average tension ratings between verses were very similar, differences in how and when participants reported tension changes highlighted performance decisions made in the interpretation of the score, ambiguity in tension implications of the music, and the potential importance of contrast between verses and phrases. Analysis of the tension ratings for the harmonic reduction also provided a new perspective for better understanding how complex musical features inform listener tension judgments. Frontiers Media S.A. 2013-12-30 /pmc/articles/PMC3874841/ /pubmed/24416024 http://dx.doi.org/10.3389/fpsyg.2013.00998 Text en Copyright © 2013 Farbood and Upham. http://creativecommons.org/licenses/by/3.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Farbood, Morwaread M. Upham, Finn Interpreting expressive performance through listener judgments of musical tension |
title | Interpreting expressive performance through listener judgments of musical tension |
title_full | Interpreting expressive performance through listener judgments of musical tension |
title_fullStr | Interpreting expressive performance through listener judgments of musical tension |
title_full_unstemmed | Interpreting expressive performance through listener judgments of musical tension |
title_short | Interpreting expressive performance through listener judgments of musical tension |
title_sort | interpreting expressive performance through listener judgments of musical tension |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3874841/ https://www.ncbi.nlm.nih.gov/pubmed/24416024 http://dx.doi.org/10.3389/fpsyg.2013.00998 |
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