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Interpreting expressive performance through listener judgments of musical tension

This study examines listener judgments of musical tension for a recording of a Schubert song and its harmonic reduction. Continuous tension ratings collected in an experiment and quantitative descriptions of the piece's musical features, include dynamics, pitch height, harmony, onset frequency,...

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Detalles Bibliográficos
Autores principales: Farbood, Morwaread M., Upham, Finn
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2013
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3874841/
https://www.ncbi.nlm.nih.gov/pubmed/24416024
http://dx.doi.org/10.3389/fpsyg.2013.00998
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author Farbood, Morwaread M.
Upham, Finn
author_facet Farbood, Morwaread M.
Upham, Finn
author_sort Farbood, Morwaread M.
collection PubMed
description This study examines listener judgments of musical tension for a recording of a Schubert song and its harmonic reduction. Continuous tension ratings collected in an experiment and quantitative descriptions of the piece's musical features, include dynamics, pitch height, harmony, onset frequency, and tempo, were analyzed from two different angles. In the first part of the analysis, the different processing timescales for disparate features contributing to tension were explored through the optimization of a predictive tension model. The results revealed the optimal time windows for harmony were considerably longer (~22 s) than for any other feature (~1–4 s). In the second part of the analysis, tension ratings for the individual verses of the song and its harmonic reduction were examined and compared. The results showed that although the average tension ratings between verses were very similar, differences in how and when participants reported tension changes highlighted performance decisions made in the interpretation of the score, ambiguity in tension implications of the music, and the potential importance of contrast between verses and phrases. Analysis of the tension ratings for the harmonic reduction also provided a new perspective for better understanding how complex musical features inform listener tension judgments.
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spelling pubmed-38748412014-01-11 Interpreting expressive performance through listener judgments of musical tension Farbood, Morwaread M. Upham, Finn Front Psychol Psychology This study examines listener judgments of musical tension for a recording of a Schubert song and its harmonic reduction. Continuous tension ratings collected in an experiment and quantitative descriptions of the piece's musical features, include dynamics, pitch height, harmony, onset frequency, and tempo, were analyzed from two different angles. In the first part of the analysis, the different processing timescales for disparate features contributing to tension were explored through the optimization of a predictive tension model. The results revealed the optimal time windows for harmony were considerably longer (~22 s) than for any other feature (~1–4 s). In the second part of the analysis, tension ratings for the individual verses of the song and its harmonic reduction were examined and compared. The results showed that although the average tension ratings between verses were very similar, differences in how and when participants reported tension changes highlighted performance decisions made in the interpretation of the score, ambiguity in tension implications of the music, and the potential importance of contrast between verses and phrases. Analysis of the tension ratings for the harmonic reduction also provided a new perspective for better understanding how complex musical features inform listener tension judgments. Frontiers Media S.A. 2013-12-30 /pmc/articles/PMC3874841/ /pubmed/24416024 http://dx.doi.org/10.3389/fpsyg.2013.00998 Text en Copyright © 2013 Farbood and Upham. http://creativecommons.org/licenses/by/3.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Farbood, Morwaread M.
Upham, Finn
Interpreting expressive performance through listener judgments of musical tension
title Interpreting expressive performance through listener judgments of musical tension
title_full Interpreting expressive performance through listener judgments of musical tension
title_fullStr Interpreting expressive performance through listener judgments of musical tension
title_full_unstemmed Interpreting expressive performance through listener judgments of musical tension
title_short Interpreting expressive performance through listener judgments of musical tension
title_sort interpreting expressive performance through listener judgments of musical tension
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3874841/
https://www.ncbi.nlm.nih.gov/pubmed/24416024
http://dx.doi.org/10.3389/fpsyg.2013.00998
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