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Music feels like moods feel

While it is widely accepted that music evokes moods, there is disagreement over whether music-induced moods are relevant to the aesthetic appreciation of music as such. The arguments against the aesthetic relevance of music-induced moods are: (1) moods cannot be intentionally directed at the music a...

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Detalles Bibliográficos
Autor principal: Goffin, Kris
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2014
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3997024/
https://www.ncbi.nlm.nih.gov/pubmed/24795677
http://dx.doi.org/10.3389/fpsyg.2014.00327
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author Goffin, Kris
author_facet Goffin, Kris
author_sort Goffin, Kris
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description While it is widely accepted that music evokes moods, there is disagreement over whether music-induced moods are relevant to the aesthetic appreciation of music as such. The arguments against the aesthetic relevance of music-induced moods are: (1) moods cannot be intentionally directed at the music and (2) music-induced moods are highly subjective experiences and are therefore a kind of mind-wandering. This paper presents a novel account of musical moods that avoids these objections. It is correct to say that a listener’s entire mood is not relevant to the aesthetic appreciation of music. However, the experience of mood consists of having different feelings. Music induces feelings that are intentionally directed at the music and clusters of these feelings can be recognized as typical of a specific mood. Therefore, mood-feelings are relevant to the aesthetic appreciation of music.
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spelling pubmed-39970242014-05-02 Music feels like moods feel Goffin, Kris Front Psychol Psychology While it is widely accepted that music evokes moods, there is disagreement over whether music-induced moods are relevant to the aesthetic appreciation of music as such. The arguments against the aesthetic relevance of music-induced moods are: (1) moods cannot be intentionally directed at the music and (2) music-induced moods are highly subjective experiences and are therefore a kind of mind-wandering. This paper presents a novel account of musical moods that avoids these objections. It is correct to say that a listener’s entire mood is not relevant to the aesthetic appreciation of music. However, the experience of mood consists of having different feelings. Music induces feelings that are intentionally directed at the music and clusters of these feelings can be recognized as typical of a specific mood. Therefore, mood-feelings are relevant to the aesthetic appreciation of music. Frontiers Media S.A. 2014-04-16 /pmc/articles/PMC3997024/ /pubmed/24795677 http://dx.doi.org/10.3389/fpsyg.2014.00327 Text en Copyright © 2014 Goffin. http://creativecommons.org/licenses/by/3.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Goffin, Kris
Music feels like moods feel
title Music feels like moods feel
title_full Music feels like moods feel
title_fullStr Music feels like moods feel
title_full_unstemmed Music feels like moods feel
title_short Music feels like moods feel
title_sort music feels like moods feel
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3997024/
https://www.ncbi.nlm.nih.gov/pubmed/24795677
http://dx.doi.org/10.3389/fpsyg.2014.00327
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