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Neurobiological, Cognitive, and Emotional Mechanisms in Melodic Intonation Therapy
Singing has been used in language rehabilitation for decades, yet controversy remains over its effectiveness and mechanisms of action. Melodic Intonation Therapy (MIT) is the most well-known singing-based therapy; however, speculation surrounds when and how it might improve outcomes in aphasia and o...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
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Frontiers Media S.A.
2014
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Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4040885/ https://www.ncbi.nlm.nih.gov/pubmed/24917811 http://dx.doi.org/10.3389/fnhum.2014.00401 |
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author | Merrett, Dawn L. Peretz, Isabelle Wilson, Sarah J. |
author_facet | Merrett, Dawn L. Peretz, Isabelle Wilson, Sarah J. |
author_sort | Merrett, Dawn L. |
collection | PubMed |
description | Singing has been used in language rehabilitation for decades, yet controversy remains over its effectiveness and mechanisms of action. Melodic Intonation Therapy (MIT) is the most well-known singing-based therapy; however, speculation surrounds when and how it might improve outcomes in aphasia and other language disorders. While positive treatment effects have been variously attributed to different MIT components, including melody, rhythm, hand-tapping, and the choral nature of the singing, there is uncertainty about the components that are truly necessary and beneficial. Moreover, the mechanisms by which the components operate are not well understood. Within the literature to date, proposed mechanisms can be broadly grouped into four categories: (1) neuroplastic reorganization of language function, (2) activation of the mirror neuron system and multimodal integration, (3) utilization of shared or specific features of music and language, and (4) motivation and mood. In this paper, we review available evidence for each mechanism and propose that these mechanisms are not mutually exclusive, but rather represent different levels of explanation, reflecting the neurobiological, cognitive, and emotional effects of MIT. Thus, instead of competing, each of these mechanisms may contribute to language rehabilitation, with a better understanding of their relative roles and interactions allowing the design of protocols that maximize the effectiveness of singing therapy for aphasia. |
format | Online Article Text |
id | pubmed-4040885 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2014 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-40408852014-06-10 Neurobiological, Cognitive, and Emotional Mechanisms in Melodic Intonation Therapy Merrett, Dawn L. Peretz, Isabelle Wilson, Sarah J. Front Hum Neurosci Neuroscience Singing has been used in language rehabilitation for decades, yet controversy remains over its effectiveness and mechanisms of action. Melodic Intonation Therapy (MIT) is the most well-known singing-based therapy; however, speculation surrounds when and how it might improve outcomes in aphasia and other language disorders. While positive treatment effects have been variously attributed to different MIT components, including melody, rhythm, hand-tapping, and the choral nature of the singing, there is uncertainty about the components that are truly necessary and beneficial. Moreover, the mechanisms by which the components operate are not well understood. Within the literature to date, proposed mechanisms can be broadly grouped into four categories: (1) neuroplastic reorganization of language function, (2) activation of the mirror neuron system and multimodal integration, (3) utilization of shared or specific features of music and language, and (4) motivation and mood. In this paper, we review available evidence for each mechanism and propose that these mechanisms are not mutually exclusive, but rather represent different levels of explanation, reflecting the neurobiological, cognitive, and emotional effects of MIT. Thus, instead of competing, each of these mechanisms may contribute to language rehabilitation, with a better understanding of their relative roles and interactions allowing the design of protocols that maximize the effectiveness of singing therapy for aphasia. Frontiers Media S.A. 2014-06-02 /pmc/articles/PMC4040885/ /pubmed/24917811 http://dx.doi.org/10.3389/fnhum.2014.00401 Text en Copyright © 2014 Merrett, Peretz and Wilson. http://creativecommons.org/licenses/by/3.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Neuroscience Merrett, Dawn L. Peretz, Isabelle Wilson, Sarah J. Neurobiological, Cognitive, and Emotional Mechanisms in Melodic Intonation Therapy |
title | Neurobiological, Cognitive, and Emotional Mechanisms in Melodic Intonation Therapy |
title_full | Neurobiological, Cognitive, and Emotional Mechanisms in Melodic Intonation Therapy |
title_fullStr | Neurobiological, Cognitive, and Emotional Mechanisms in Melodic Intonation Therapy |
title_full_unstemmed | Neurobiological, Cognitive, and Emotional Mechanisms in Melodic Intonation Therapy |
title_short | Neurobiological, Cognitive, and Emotional Mechanisms in Melodic Intonation Therapy |
title_sort | neurobiological, cognitive, and emotional mechanisms in melodic intonation therapy |
topic | Neuroscience |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4040885/ https://www.ncbi.nlm.nih.gov/pubmed/24917811 http://dx.doi.org/10.3389/fnhum.2014.00401 |
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