Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music

Music has a unique power to elicit moments of intense emotional and psychophysiological response. These moments – termed “chills,” “thrills”, “frissons,” etc. – are subjects of introspection and philosophical debate, as well as scientific study in music perception and cognition. The present article...

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Detalles Bibliográficos
Autores principales: Harrison, Luke, Loui, Psyche
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2014
Materias:
Psychology
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4107937/
https://www.ncbi.nlm.nih.gov/pubmed/25101043
http://dx.doi.org/10.3389/fpsyg.2014.00790
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author Harrison, Luke
Loui, Psyche
author_facet Harrison, Luke
Loui, Psyche
author_sort Harrison, Luke
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description Music has a unique power to elicit moments of intense emotional and psychophysiological response. These moments – termed “chills,” “thrills”, “frissons,” etc. – are subjects of introspection and philosophical debate, as well as scientific study in music perception and cognition. The present article integrates the existing multidisciplinary literature in an attempt to define a comprehensive, testable, and ecologically valid model of transcendent psychophysiological moments in music.
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spelling pubmed-41079372014-08-06 Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music Harrison, Luke Loui, Psyche Front Psychol Psychology Music has a unique power to elicit moments of intense emotional and psychophysiological response. These moments – termed “chills,” “thrills”, “frissons,” etc. – are subjects of introspection and philosophical debate, as well as scientific study in music perception and cognition. The present article integrates the existing multidisciplinary literature in an attempt to define a comprehensive, testable, and ecologically valid model of transcendent psychophysiological moments in music. Frontiers Media S.A. 2014-07-23 /pmc/articles/PMC4107937/ /pubmed/25101043 http://dx.doi.org/10.3389/fpsyg.2014.00790 Text en Copyright © 2014 Harrison and Loui. http://creativecommons.org/licenses/by/3.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Harrison, Luke
Loui, Psyche
Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music
title Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music
title_full Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music
title_fullStr Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music
title_full_unstemmed Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music
title_short Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music
title_sort thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4107937/
https://www.ncbi.nlm.nih.gov/pubmed/25101043
http://dx.doi.org/10.3389/fpsyg.2014.00790
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