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How we remember the emotional intensity of past musical experiences
Listening to music usually elicits emotions that can vary considerably in their intensity over the course of listening. Yet, after listening to a piece of music, people are easily able to evaluate the music's overall emotional intensity. There are two different hypotheses about how affective ex...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
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Frontiers Media S.A.
2014
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Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4133782/ https://www.ncbi.nlm.nih.gov/pubmed/25177311 http://dx.doi.org/10.3389/fpsyg.2014.00911 |
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author | Schäfer, Thomas Zimmermann, Doreen Sedlmeier, Peter |
author_facet | Schäfer, Thomas Zimmermann, Doreen Sedlmeier, Peter |
author_sort | Schäfer, Thomas |
collection | PubMed |
description | Listening to music usually elicits emotions that can vary considerably in their intensity over the course of listening. Yet, after listening to a piece of music, people are easily able to evaluate the music's overall emotional intensity. There are two different hypotheses about how affective experiences are temporally processed and integrated: (1) all moments' intensities are integrated, resulting in an averaged value; (2) the overall evaluation is built from specific single moments, such as the moments of highest emotional intensity (peaks), the end, or a combination of these. Here we investigated what listeners do when building an overall evaluation of a musical experience. Participants listened to unknown songs and provided moment-to-moment ratings of experienced intensity of emotions. Subsequently, they evaluated the overall emotional intensity of each song. Results indicate that participants' evaluations were predominantly influenced by their average impression but that, in addition, the peaks and end emotional intensities contributed substantially. These results indicate that both types of processes play a role: All moments are integrated into an averaged value but single moments might be assigned a higher value in the calculation of this average. |
format | Online Article Text |
id | pubmed-4133782 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2014 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-41337822014-08-29 How we remember the emotional intensity of past musical experiences Schäfer, Thomas Zimmermann, Doreen Sedlmeier, Peter Front Psychol Psychology Listening to music usually elicits emotions that can vary considerably in their intensity over the course of listening. Yet, after listening to a piece of music, people are easily able to evaluate the music's overall emotional intensity. There are two different hypotheses about how affective experiences are temporally processed and integrated: (1) all moments' intensities are integrated, resulting in an averaged value; (2) the overall evaluation is built from specific single moments, such as the moments of highest emotional intensity (peaks), the end, or a combination of these. Here we investigated what listeners do when building an overall evaluation of a musical experience. Participants listened to unknown songs and provided moment-to-moment ratings of experienced intensity of emotions. Subsequently, they evaluated the overall emotional intensity of each song. Results indicate that participants' evaluations were predominantly influenced by their average impression but that, in addition, the peaks and end emotional intensities contributed substantially. These results indicate that both types of processes play a role: All moments are integrated into an averaged value but single moments might be assigned a higher value in the calculation of this average. Frontiers Media S.A. 2014-08-15 /pmc/articles/PMC4133782/ /pubmed/25177311 http://dx.doi.org/10.3389/fpsyg.2014.00911 Text en Copyright © 2014 Schäfer, Zimmermann and Sedlmeier. http://creativecommons.org/licenses/by/3.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Schäfer, Thomas Zimmermann, Doreen Sedlmeier, Peter How we remember the emotional intensity of past musical experiences |
title | How we remember the emotional intensity of past musical experiences |
title_full | How we remember the emotional intensity of past musical experiences |
title_fullStr | How we remember the emotional intensity of past musical experiences |
title_full_unstemmed | How we remember the emotional intensity of past musical experiences |
title_short | How we remember the emotional intensity of past musical experiences |
title_sort | how we remember the emotional intensity of past musical experiences |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4133782/ https://www.ncbi.nlm.nih.gov/pubmed/25177311 http://dx.doi.org/10.3389/fpsyg.2014.00911 |
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