Cargando…

The impact of the perception of rhythmic music on self-paced oscillatory movements

Inspired by theories of perception-action coupling and embodied music cognition, we investigated how rhythmic music perception impacts self-paced oscillatory movements. In a pilot study, we examined the kinematic parameters of self-paced oscillatory movements, walking and finger tapping using optica...

Descripción completa

Detalles Bibliográficos
Autores principales: Peckel, Mathieu, Pozzo, Thierry, Bigand, Emmanuel
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2014
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4165317/
https://www.ncbi.nlm.nih.gov/pubmed/25278924
http://dx.doi.org/10.3389/fpsyg.2014.01037
_version_ 1782335086097596416
author Peckel, Mathieu
Pozzo, Thierry
Bigand, Emmanuel
author_facet Peckel, Mathieu
Pozzo, Thierry
Bigand, Emmanuel
author_sort Peckel, Mathieu
collection PubMed
description Inspired by theories of perception-action coupling and embodied music cognition, we investigated how rhythmic music perception impacts self-paced oscillatory movements. In a pilot study, we examined the kinematic parameters of self-paced oscillatory movements, walking and finger tapping using optical motion capture. In accordance with biomechanical constraints accounts of motion, we found that movements followed a hierarchical organization depending on the proximal/distal characteristic of the limb used. Based on these findings, we were interested in knowing how and when the perception of rhythmic music could resonate with the motor system in the context of these constrained oscillatory movements. In order to test this, we conducted an experiment where participants performed four different effector-specific movements (lower leg, whole arm and forearm oscillation and finger tapping) while rhythmic music was playing in the background. Musical stimuli consisted of computer-generated MIDI musical pieces with a 4/4 metrical structure. The musical tempo of each song increased from 60 BPM to 120 BPM by 6 BPM increments. A specific tempo was maintained for 20 s before a 2 s transition to the higher tempo. The task of the participant was to maintain a comfortable pace for the four movements (self-paced) while not paying attention to the music. No instruction on whether to synchronize with the music was given. Results showed that participants were distinctively influenced by the background music depending on the movement used with the tapping task being consistently the most influenced. Furthermore, eight strategies put in place by participants to cope with the task were unveiled. Despite not instructed to do so, participants also occasionally synchronized with music. Results are discussed in terms of the link between perception and action (i.e., motor/perceptual resonance). In general, our results give support to the notion that rhythmic music is processed in a motoric fashion.
format Online
Article
Text
id pubmed-4165317
institution National Center for Biotechnology Information
language English
publishDate 2014
publisher Frontiers Media S.A.
record_format MEDLINE/PubMed
spelling pubmed-41653172014-10-02 The impact of the perception of rhythmic music on self-paced oscillatory movements Peckel, Mathieu Pozzo, Thierry Bigand, Emmanuel Front Psychol Psychology Inspired by theories of perception-action coupling and embodied music cognition, we investigated how rhythmic music perception impacts self-paced oscillatory movements. In a pilot study, we examined the kinematic parameters of self-paced oscillatory movements, walking and finger tapping using optical motion capture. In accordance with biomechanical constraints accounts of motion, we found that movements followed a hierarchical organization depending on the proximal/distal characteristic of the limb used. Based on these findings, we were interested in knowing how and when the perception of rhythmic music could resonate with the motor system in the context of these constrained oscillatory movements. In order to test this, we conducted an experiment where participants performed four different effector-specific movements (lower leg, whole arm and forearm oscillation and finger tapping) while rhythmic music was playing in the background. Musical stimuli consisted of computer-generated MIDI musical pieces with a 4/4 metrical structure. The musical tempo of each song increased from 60 BPM to 120 BPM by 6 BPM increments. A specific tempo was maintained for 20 s before a 2 s transition to the higher tempo. The task of the participant was to maintain a comfortable pace for the four movements (self-paced) while not paying attention to the music. No instruction on whether to synchronize with the music was given. Results showed that participants were distinctively influenced by the background music depending on the movement used with the tapping task being consistently the most influenced. Furthermore, eight strategies put in place by participants to cope with the task were unveiled. Despite not instructed to do so, participants also occasionally synchronized with music. Results are discussed in terms of the link between perception and action (i.e., motor/perceptual resonance). In general, our results give support to the notion that rhythmic music is processed in a motoric fashion. Frontiers Media S.A. 2014-09-16 /pmc/articles/PMC4165317/ /pubmed/25278924 http://dx.doi.org/10.3389/fpsyg.2014.01037 Text en Copyright © 2014 Peckel, Pozzo and Bigand. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Peckel, Mathieu
Pozzo, Thierry
Bigand, Emmanuel
The impact of the perception of rhythmic music on self-paced oscillatory movements
title The impact of the perception of rhythmic music on self-paced oscillatory movements
title_full The impact of the perception of rhythmic music on self-paced oscillatory movements
title_fullStr The impact of the perception of rhythmic music on self-paced oscillatory movements
title_full_unstemmed The impact of the perception of rhythmic music on self-paced oscillatory movements
title_short The impact of the perception of rhythmic music on self-paced oscillatory movements
title_sort impact of the perception of rhythmic music on self-paced oscillatory movements
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4165317/
https://www.ncbi.nlm.nih.gov/pubmed/25278924
http://dx.doi.org/10.3389/fpsyg.2014.01037
work_keys_str_mv AT peckelmathieu theimpactoftheperceptionofrhythmicmusiconselfpacedoscillatorymovements
AT pozzothierry theimpactoftheperceptionofrhythmicmusiconselfpacedoscillatorymovements
AT bigandemmanuel theimpactoftheperceptionofrhythmicmusiconselfpacedoscillatorymovements
AT peckelmathieu impactoftheperceptionofrhythmicmusiconselfpacedoscillatorymovements
AT pozzothierry impactoftheperceptionofrhythmicmusiconselfpacedoscillatorymovements
AT bigandemmanuel impactoftheperceptionofrhythmicmusiconselfpacedoscillatorymovements