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Dancers entrain more effectively than non-dancers to another actor’s movements

For many everyday sensorimotor tasks, trained dancers have been found to exhibit distinct and sometimes superior (more stable or robust) patterns of behavior compared to non-dancers. Past research has demonstrated that experts in fields requiring specialized physical training and behavioral control...

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Autores principales: Washburn, Auriel, DeMarco, Mariana, de Vries, Simon, Ariyabuddhiphongs, Kris, Schmidt, R. C., Richardson, Michael J., Riley, Michael A.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2014
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4189607/
https://www.ncbi.nlm.nih.gov/pubmed/25339892
http://dx.doi.org/10.3389/fnhum.2014.00800
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author Washburn, Auriel
DeMarco, Mariana
de Vries, Simon
Ariyabuddhiphongs, Kris
Schmidt, R. C.
Richardson, Michael J.
Riley, Michael A.
author_facet Washburn, Auriel
DeMarco, Mariana
de Vries, Simon
Ariyabuddhiphongs, Kris
Schmidt, R. C.
Richardson, Michael J.
Riley, Michael A.
author_sort Washburn, Auriel
collection PubMed
description For many everyday sensorimotor tasks, trained dancers have been found to exhibit distinct and sometimes superior (more stable or robust) patterns of behavior compared to non-dancers. Past research has demonstrated that experts in fields requiring specialized physical training and behavioral control exhibit superior interpersonal coordination capabilities for expertise-related tasks. To date, however, no published studies have compared dancers’ abilities to coordinate their movements with the movements of another individual—i.e., during a so-called visual-motor interpersonal coordination task. The current study was designed to investigate whether trained dancers would be better able to coordinate with a partner performing short sequences of dance-like movements than non-dancers. Movement time series were recorded for individual dancers and non-dancers asked to synchronize with a confederate during three different movement sequences characterized by distinct dance styles (i.e., dance team routine, contemporary ballet, mixed style) without hearing any auditory signals or music. A diverse range of linear and non-linear analyses (i.e., cross-correlation, cross-recurrence quantification analysis, and cross-wavelet analysis) provided converging measures of coordination across multiple time scales. While overall levels of interpersonal coordination were influenced by differences in movement sequence for both groups, dancers consistently displayed higher levels of coordination with the confederate at both short and long time scales. These findings demonstrate that the visual-motor coordination capabilities of trained dancers allow them to better synchronize with other individuals performing dance-like movements than non-dancers. Further investigation of similar tasks may help to increase the understanding of visual-motor entrainment in general, as well as provide insight into the effects of focused training on visual-motor and interpersonal coordination.
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spelling pubmed-41896072014-10-22 Dancers entrain more effectively than non-dancers to another actor’s movements Washburn, Auriel DeMarco, Mariana de Vries, Simon Ariyabuddhiphongs, Kris Schmidt, R. C. Richardson, Michael J. Riley, Michael A. Front Hum Neurosci Neuroscience For many everyday sensorimotor tasks, trained dancers have been found to exhibit distinct and sometimes superior (more stable or robust) patterns of behavior compared to non-dancers. Past research has demonstrated that experts in fields requiring specialized physical training and behavioral control exhibit superior interpersonal coordination capabilities for expertise-related tasks. To date, however, no published studies have compared dancers’ abilities to coordinate their movements with the movements of another individual—i.e., during a so-called visual-motor interpersonal coordination task. The current study was designed to investigate whether trained dancers would be better able to coordinate with a partner performing short sequences of dance-like movements than non-dancers. Movement time series were recorded for individual dancers and non-dancers asked to synchronize with a confederate during three different movement sequences characterized by distinct dance styles (i.e., dance team routine, contemporary ballet, mixed style) without hearing any auditory signals or music. A diverse range of linear and non-linear analyses (i.e., cross-correlation, cross-recurrence quantification analysis, and cross-wavelet analysis) provided converging measures of coordination across multiple time scales. While overall levels of interpersonal coordination were influenced by differences in movement sequence for both groups, dancers consistently displayed higher levels of coordination with the confederate at both short and long time scales. These findings demonstrate that the visual-motor coordination capabilities of trained dancers allow them to better synchronize with other individuals performing dance-like movements than non-dancers. Further investigation of similar tasks may help to increase the understanding of visual-motor entrainment in general, as well as provide insight into the effects of focused training on visual-motor and interpersonal coordination. Frontiers Media S.A. 2014-10-08 /pmc/articles/PMC4189607/ /pubmed/25339892 http://dx.doi.org/10.3389/fnhum.2014.00800 Text en Copyright © 2014 Washburn, DeMarco, de Vries, Ariyabuddhiphongs, Schmidt, Richardson and Riley. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Neuroscience
Washburn, Auriel
DeMarco, Mariana
de Vries, Simon
Ariyabuddhiphongs, Kris
Schmidt, R. C.
Richardson, Michael J.
Riley, Michael A.
Dancers entrain more effectively than non-dancers to another actor’s movements
title Dancers entrain more effectively than non-dancers to another actor’s movements
title_full Dancers entrain more effectively than non-dancers to another actor’s movements
title_fullStr Dancers entrain more effectively than non-dancers to another actor’s movements
title_full_unstemmed Dancers entrain more effectively than non-dancers to another actor’s movements
title_short Dancers entrain more effectively than non-dancers to another actor’s movements
title_sort dancers entrain more effectively than non-dancers to another actor’s movements
topic Neuroscience
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4189607/
https://www.ncbi.nlm.nih.gov/pubmed/25339892
http://dx.doi.org/10.3389/fnhum.2014.00800
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