Cargando…
A neurobiological enquiry into the origins of our experience of the sublime and beautiful
Philosophies of aesthetics have posited that experience of the sublime—commonly but not exclusively derived from scenes of natural grandeur—is distinct from that of beauty and is a counterpoint to it. We wanted to chart the pattern of brain activity which correlates with the declared intensity of ex...
Autores principales: | Ishizu, Tomohiro, Zeki, Semir |
---|---|
Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Frontiers Media S.A.
2014
|
Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4227571/ https://www.ncbi.nlm.nih.gov/pubmed/25426046 http://dx.doi.org/10.3389/fnhum.2014.00891 |
Ejemplares similares
-
The experience of beauty derived from sorrow
por: Ishizu, Tomohiro, et al.
Publicado: (2017) -
Toward A Brain-Based Theory of Beauty
por: Ishizu, Tomohiro, et al.
Publicado: (2011) -
Clive Bell’s “Significant Form” and the neurobiology of aesthetics
por: Zeki, Semir
Publicado: (2013) -
The “Visual Shock” of Francis Bacon: an essay in neuroesthetics
por: Zeki, Semir, et al.
Publicado: (2013) -
The experience of mathematical beauty and its neural correlates
por: Zeki, Semir, et al.
Publicado: (2014)