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Mind, Machine, and Creativity: An Artist's Perspective
Harold Cohen is a renowned painter who has developed a computer program, AARON, to create art. While AARON has been hailed as one of the most creative AI programs, Cohen consistently rejects the claims of machine creativity. Questioning the possibility for AI to model human creativity, Cohen suggest...
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Formato: | Online Artículo Texto |
Lenguaje: | English |
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BlackWell Publishing Ltd
2014
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Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4265294/ https://www.ncbi.nlm.nih.gov/pubmed/25541564 http://dx.doi.org/10.1002/jocb.44 |
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author | Sundararajan, Louise |
author_facet | Sundararajan, Louise |
author_sort | Sundararajan, Louise |
collection | PubMed |
description | Harold Cohen is a renowned painter who has developed a computer program, AARON, to create art. While AARON has been hailed as one of the most creative AI programs, Cohen consistently rejects the claims of machine creativity. Questioning the possibility for AI to model human creativity, Cohen suggests in so many words that the human mind takes a different route to creativity, a route that privileges the relational, rather than the computational, dimension of cognition. This unique perspective on the tangled web of mind, machine, and creativity is explored by an application of three relational models of the mind to an analysis of Cohen's talks and writings, which are available on his website: www.aaronshome.com. |
format | Online Article Text |
id | pubmed-4265294 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2014 |
publisher | BlackWell Publishing Ltd |
record_format | MEDLINE/PubMed |
spelling | pubmed-42652942014-12-23 Mind, Machine, and Creativity: An Artist's Perspective Sundararajan, Louise J Creat Behav Original Articles Harold Cohen is a renowned painter who has developed a computer program, AARON, to create art. While AARON has been hailed as one of the most creative AI programs, Cohen consistently rejects the claims of machine creativity. Questioning the possibility for AI to model human creativity, Cohen suggests in so many words that the human mind takes a different route to creativity, a route that privileges the relational, rather than the computational, dimension of cognition. This unique perspective on the tangled web of mind, machine, and creativity is explored by an application of three relational models of the mind to an analysis of Cohen's talks and writings, which are available on his website: www.aaronshome.com. BlackWell Publishing Ltd 2014-06 2013-12-12 /pmc/articles/PMC4265294/ /pubmed/25541564 http://dx.doi.org/10.1002/jocb.44 Text en © 2013 by the Creative Education Foundation, Inc. http://creativecommons.org/licenses/by/3.0/ This is an open access article under the terms of the Creative Commons Attribution License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited. |
spellingShingle | Original Articles Sundararajan, Louise Mind, Machine, and Creativity: An Artist's Perspective |
title | Mind, Machine, and Creativity: An Artist's Perspective |
title_full | Mind, Machine, and Creativity: An Artist's Perspective |
title_fullStr | Mind, Machine, and Creativity: An Artist's Perspective |
title_full_unstemmed | Mind, Machine, and Creativity: An Artist's Perspective |
title_short | Mind, Machine, and Creativity: An Artist's Perspective |
title_sort | mind, machine, and creativity: an artist's perspective |
topic | Original Articles |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4265294/ https://www.ncbi.nlm.nih.gov/pubmed/25541564 http://dx.doi.org/10.1002/jocb.44 |
work_keys_str_mv | AT sundararajanlouise mindmachineandcreativityanartistsperspective |