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Mind, Machine, and Creativity: An Artist's Perspective

Harold Cohen is a renowned painter who has developed a computer program, AARON, to create art. While AARON has been hailed as one of the most creative AI programs, Cohen consistently rejects the claims of machine creativity. Questioning the possibility for AI to model human creativity, Cohen suggest...

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Autor principal: Sundararajan, Louise
Formato: Online Artículo Texto
Lenguaje:English
Publicado: BlackWell Publishing Ltd 2014
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4265294/
https://www.ncbi.nlm.nih.gov/pubmed/25541564
http://dx.doi.org/10.1002/jocb.44
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author Sundararajan, Louise
author_facet Sundararajan, Louise
author_sort Sundararajan, Louise
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description Harold Cohen is a renowned painter who has developed a computer program, AARON, to create art. While AARON has been hailed as one of the most creative AI programs, Cohen consistently rejects the claims of machine creativity. Questioning the possibility for AI to model human creativity, Cohen suggests in so many words that the human mind takes a different route to creativity, a route that privileges the relational, rather than the computational, dimension of cognition. This unique perspective on the tangled web of mind, machine, and creativity is explored by an application of three relational models of the mind to an analysis of Cohen's talks and writings, which are available on his website: www.aaronshome.com.
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spelling pubmed-42652942014-12-23 Mind, Machine, and Creativity: An Artist's Perspective Sundararajan, Louise J Creat Behav Original Articles Harold Cohen is a renowned painter who has developed a computer program, AARON, to create art. While AARON has been hailed as one of the most creative AI programs, Cohen consistently rejects the claims of machine creativity. Questioning the possibility for AI to model human creativity, Cohen suggests in so many words that the human mind takes a different route to creativity, a route that privileges the relational, rather than the computational, dimension of cognition. This unique perspective on the tangled web of mind, machine, and creativity is explored by an application of three relational models of the mind to an analysis of Cohen's talks and writings, which are available on his website: www.aaronshome.com. BlackWell Publishing Ltd 2014-06 2013-12-12 /pmc/articles/PMC4265294/ /pubmed/25541564 http://dx.doi.org/10.1002/jocb.44 Text en © 2013 by the Creative Education Foundation, Inc. http://creativecommons.org/licenses/by/3.0/ This is an open access article under the terms of the Creative Commons Attribution License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited.
spellingShingle Original Articles
Sundararajan, Louise
Mind, Machine, and Creativity: An Artist's Perspective
title Mind, Machine, and Creativity: An Artist's Perspective
title_full Mind, Machine, and Creativity: An Artist's Perspective
title_fullStr Mind, Machine, and Creativity: An Artist's Perspective
title_full_unstemmed Mind, Machine, and Creativity: An Artist's Perspective
title_short Mind, Machine, and Creativity: An Artist's Perspective
title_sort mind, machine, and creativity: an artist's perspective
topic Original Articles
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4265294/
https://www.ncbi.nlm.nih.gov/pubmed/25541564
http://dx.doi.org/10.1002/jocb.44
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