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Improvisation and the self-organization of multiple musical bodies
Understanding everyday behavior relies heavily upon understanding our ability to improvise, how we are able to continuously anticipate and adapt in order to coordinate with our environment and others. Here we consider the ability of musicians to improvise, where they must spontaneously coordinate th...
Autores principales: | , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
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Frontiers Media S.A.
2015
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4403292/ https://www.ncbi.nlm.nih.gov/pubmed/25941499 http://dx.doi.org/10.3389/fpsyg.2015.00313 |
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author | Walton, Ashley E. Richardson, Michael J. Langland-Hassan, Peter Chemero, Anthony |
author_facet | Walton, Ashley E. Richardson, Michael J. Langland-Hassan, Peter Chemero, Anthony |
author_sort | Walton, Ashley E. |
collection | PubMed |
description | Understanding everyday behavior relies heavily upon understanding our ability to improvise, how we are able to continuously anticipate and adapt in order to coordinate with our environment and others. Here we consider the ability of musicians to improvise, where they must spontaneously coordinate their actions with co-performers in order to produce novel musical expressions. Investigations of this behavior have traditionally focused on describing the organization of cognitive structures. The focus, here, however, is on the ability of the time-evolving patterns of inter-musician movement coordination as revealed by the mathematical tools of complex dynamical systems to provide a new understanding of what potentiates the novelty of spontaneous musical action. We demonstrate this approach through the application of cross wavelet spectral analysis, which isolates the strength and patterning of the behavioral coordination that occurs between improvising musicians across a range of nested time-scales. Revealing the sophistication of the previously unexplored dynamics of movement coordination between improvising musicians is an important step toward understanding how creative musical expressions emerge from the spontaneous coordination of multiple musical bodies. |
format | Online Article Text |
id | pubmed-4403292 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2015 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-44032922015-05-04 Improvisation and the self-organization of multiple musical bodies Walton, Ashley E. Richardson, Michael J. Langland-Hassan, Peter Chemero, Anthony Front Psychol Psychology Understanding everyday behavior relies heavily upon understanding our ability to improvise, how we are able to continuously anticipate and adapt in order to coordinate with our environment and others. Here we consider the ability of musicians to improvise, where they must spontaneously coordinate their actions with co-performers in order to produce novel musical expressions. Investigations of this behavior have traditionally focused on describing the organization of cognitive structures. The focus, here, however, is on the ability of the time-evolving patterns of inter-musician movement coordination as revealed by the mathematical tools of complex dynamical systems to provide a new understanding of what potentiates the novelty of spontaneous musical action. We demonstrate this approach through the application of cross wavelet spectral analysis, which isolates the strength and patterning of the behavioral coordination that occurs between improvising musicians across a range of nested time-scales. Revealing the sophistication of the previously unexplored dynamics of movement coordination between improvising musicians is an important step toward understanding how creative musical expressions emerge from the spontaneous coordination of multiple musical bodies. Frontiers Media S.A. 2015-04-20 /pmc/articles/PMC4403292/ /pubmed/25941499 http://dx.doi.org/10.3389/fpsyg.2015.00313 Text en Copyright © 2015 Walton, Richardson, Langland-Hassan and Chemero. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Walton, Ashley E. Richardson, Michael J. Langland-Hassan, Peter Chemero, Anthony Improvisation and the self-organization of multiple musical bodies |
title | Improvisation and the self-organization of multiple musical bodies |
title_full | Improvisation and the self-organization of multiple musical bodies |
title_fullStr | Improvisation and the self-organization of multiple musical bodies |
title_full_unstemmed | Improvisation and the self-organization of multiple musical bodies |
title_short | Improvisation and the self-organization of multiple musical bodies |
title_sort | improvisation and the self-organization of multiple musical bodies |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4403292/ https://www.ncbi.nlm.nih.gov/pubmed/25941499 http://dx.doi.org/10.3389/fpsyg.2015.00313 |
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