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Reappraising Abstract Paintings after Exposure to Background Information
Can knowledge help viewers when they appreciate an artwork? Experts’ judgments of the aesthetic value of a painting often differ from the estimates of naïve viewers, and this phenomenon is especially pronounced in the aesthetic judgment of abstract paintings. We compared the changes in aesthetic jud...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Public Library of Science
2015
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4422661/ https://www.ncbi.nlm.nih.gov/pubmed/25945789 http://dx.doi.org/10.1371/journal.pone.0124159 |
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author | Park, Seongmin A. Yun, Kyongsik Jeong, Jaeseung |
author_facet | Park, Seongmin A. Yun, Kyongsik Jeong, Jaeseung |
author_sort | Park, Seongmin A. |
collection | PubMed |
description | Can knowledge help viewers when they appreciate an artwork? Experts’ judgments of the aesthetic value of a painting often differ from the estimates of naïve viewers, and this phenomenon is especially pronounced in the aesthetic judgment of abstract paintings. We compared the changes in aesthetic judgments of naïve viewers while they were progressively exposed to five pieces of background information. The participants were asked to report their aesthetic judgments of a given painting after each piece of information was presented. We found that commentaries by the artist and a critic significantly increased the subjective aesthetic ratings. Does knowledge enable experts to attend to the visual features in a painting and to link it to the evaluative conventions, thus potentially causing different aesthetic judgments? To investigate whether a specific pattern of attention is essential for the knowledge-based appreciation, we tracked the eye movements of subjects while viewing a painting with a commentary by the artist and with a commentary by a critic. We observed that critics’ commentaries directed the viewers’ attention to the visual components that were highly relevant to the presented commentary. However, attention to specific features of a painting was not necessary for increasing the subjective aesthetic judgment when the artists’ commentary was presented. Our results suggest that at least two different cognitive mechanisms may be involved in knowledge- guided aesthetic judgments while viewers reappraise a painting. |
format | Online Article Text |
id | pubmed-4422661 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2015 |
publisher | Public Library of Science |
record_format | MEDLINE/PubMed |
spelling | pubmed-44226612015-05-12 Reappraising Abstract Paintings after Exposure to Background Information Park, Seongmin A. Yun, Kyongsik Jeong, Jaeseung PLoS One Research Article Can knowledge help viewers when they appreciate an artwork? Experts’ judgments of the aesthetic value of a painting often differ from the estimates of naïve viewers, and this phenomenon is especially pronounced in the aesthetic judgment of abstract paintings. We compared the changes in aesthetic judgments of naïve viewers while they were progressively exposed to five pieces of background information. The participants were asked to report their aesthetic judgments of a given painting after each piece of information was presented. We found that commentaries by the artist and a critic significantly increased the subjective aesthetic ratings. Does knowledge enable experts to attend to the visual features in a painting and to link it to the evaluative conventions, thus potentially causing different aesthetic judgments? To investigate whether a specific pattern of attention is essential for the knowledge-based appreciation, we tracked the eye movements of subjects while viewing a painting with a commentary by the artist and with a commentary by a critic. We observed that critics’ commentaries directed the viewers’ attention to the visual components that were highly relevant to the presented commentary. However, attention to specific features of a painting was not necessary for increasing the subjective aesthetic judgment when the artists’ commentary was presented. Our results suggest that at least two different cognitive mechanisms may be involved in knowledge- guided aesthetic judgments while viewers reappraise a painting. Public Library of Science 2015-05-06 /pmc/articles/PMC4422661/ /pubmed/25945789 http://dx.doi.org/10.1371/journal.pone.0124159 Text en © 2015 Park et al http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are properly credited. |
spellingShingle | Research Article Park, Seongmin A. Yun, Kyongsik Jeong, Jaeseung Reappraising Abstract Paintings after Exposure to Background Information |
title | Reappraising Abstract Paintings after Exposure to Background Information |
title_full | Reappraising Abstract Paintings after Exposure to Background Information |
title_fullStr | Reappraising Abstract Paintings after Exposure to Background Information |
title_full_unstemmed | Reappraising Abstract Paintings after Exposure to Background Information |
title_short | Reappraising Abstract Paintings after Exposure to Background Information |
title_sort | reappraising abstract paintings after exposure to background information |
topic | Research Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4422661/ https://www.ncbi.nlm.nih.gov/pubmed/25945789 http://dx.doi.org/10.1371/journal.pone.0124159 |
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