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Robot Comedy Lab: experimenting with the social dynamics of live performance
The success of live comedy depends on a performer's ability to “work” an audience. Ethnographic studies suggest that this involves the co-ordinated use of subtle social signals such as body orientation, gesture, gaze by both performers and audience members. Robots provide a unique opportunity t...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Frontiers Media S.A.
2015
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4548079/ https://www.ncbi.nlm.nih.gov/pubmed/26379585 http://dx.doi.org/10.3389/fpsyg.2015.01253 |
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author | Katevas, Kleomenis Healey, Patrick G. T. Harris, Matthew Tobias |
author_facet | Katevas, Kleomenis Healey, Patrick G. T. Harris, Matthew Tobias |
author_sort | Katevas, Kleomenis |
collection | PubMed |
description | The success of live comedy depends on a performer's ability to “work” an audience. Ethnographic studies suggest that this involves the co-ordinated use of subtle social signals such as body orientation, gesture, gaze by both performers and audience members. Robots provide a unique opportunity to test the effects of these signals experimentally. Using a life-size humanoid robot, programmed to perform a stand-up comedy routine, we manipulated the robot's patterns of gesture and gaze and examined their effects on the real-time responses of a live audience. The strength and type of responses were captured using SHORE™computer vision analytics. The results highlight the complex, reciprocal social dynamics of performer and audience behavior. People respond more positively when the robot looks at them, negatively when it looks away and performative gestures also contribute to different patterns of audience response. This demonstrates how the responses of individual audience members depend on the specific interaction they're having with the performer. This work provides insights into how to design more effective, more socially engaging forms of robot interaction that can be used in a variety of service contexts. |
format | Online Article Text |
id | pubmed-4548079 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2015 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-45480792015-09-14 Robot Comedy Lab: experimenting with the social dynamics of live performance Katevas, Kleomenis Healey, Patrick G. T. Harris, Matthew Tobias Front Psychol Psychology The success of live comedy depends on a performer's ability to “work” an audience. Ethnographic studies suggest that this involves the co-ordinated use of subtle social signals such as body orientation, gesture, gaze by both performers and audience members. Robots provide a unique opportunity to test the effects of these signals experimentally. Using a life-size humanoid robot, programmed to perform a stand-up comedy routine, we manipulated the robot's patterns of gesture and gaze and examined their effects on the real-time responses of a live audience. The strength and type of responses were captured using SHORE™computer vision analytics. The results highlight the complex, reciprocal social dynamics of performer and audience behavior. People respond more positively when the robot looks at them, negatively when it looks away and performative gestures also contribute to different patterns of audience response. This demonstrates how the responses of individual audience members depend on the specific interaction they're having with the performer. This work provides insights into how to design more effective, more socially engaging forms of robot interaction that can be used in a variety of service contexts. Frontiers Media S.A. 2015-08-25 /pmc/articles/PMC4548079/ /pubmed/26379585 http://dx.doi.org/10.3389/fpsyg.2015.01253 Text en Copyright © 2015 Katevas, Healey and Harris. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Katevas, Kleomenis Healey, Patrick G. T. Harris, Matthew Tobias Robot Comedy Lab: experimenting with the social dynamics of live performance |
title | Robot Comedy Lab: experimenting with the social dynamics of live performance |
title_full | Robot Comedy Lab: experimenting with the social dynamics of live performance |
title_fullStr | Robot Comedy Lab: experimenting with the social dynamics of live performance |
title_full_unstemmed | Robot Comedy Lab: experimenting with the social dynamics of live performance |
title_short | Robot Comedy Lab: experimenting with the social dynamics of live performance |
title_sort | robot comedy lab: experimenting with the social dynamics of live performance |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4548079/ https://www.ncbi.nlm.nih.gov/pubmed/26379585 http://dx.doi.org/10.3389/fpsyg.2015.01253 |
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