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Layman versus Professional Musician: Who Makes the Better Judge?

The increasing number of casting shows and talent contests in the media over the past years suggests a public interest in rating the quality of vocal performances. In many of these formats, laymen alongside music experts act as judges. Whereas experts' judgments are considered objective and rel...

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Autores principales: Larrouy-Maestri, Pauline, Magis, David, Grabenhorst, Matthias, Morsomme, Dominique
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Public Library of Science 2015
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4550346/
https://www.ncbi.nlm.nih.gov/pubmed/26308213
http://dx.doi.org/10.1371/journal.pone.0135394
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author Larrouy-Maestri, Pauline
Magis, David
Grabenhorst, Matthias
Morsomme, Dominique
author_facet Larrouy-Maestri, Pauline
Magis, David
Grabenhorst, Matthias
Morsomme, Dominique
author_sort Larrouy-Maestri, Pauline
collection PubMed
description The increasing number of casting shows and talent contests in the media over the past years suggests a public interest in rating the quality of vocal performances. In many of these formats, laymen alongside music experts act as judges. Whereas experts' judgments are considered objective and reliable when it comes to evaluating singing voice, little is known about laymen’s ability to evaluate peers. On the one hand, layman listeners–who by definition did not have any formal training or regular musical practice–are known to have internalized the musical rules on which singing accuracy is based. On the other hand, layman listeners’ judgment of their own vocal skills is highly inaccurate. Also, when compared with that of music experts, their level of competence in pitch perception has proven limited. The present study investigates laypersons' ability to objectively evaluate melodies performed by untrained singers. For this purpose, laymen listeners were asked to judge sung melodies. The results were compared with those of music experts who had performed the same task in a previous study. Interestingly, the findings show a high objectivity and reliability in layman listeners. Whereas both the laymen's and experts' definition of pitch accuracy overlap, differences regarding the musical criteria employed in the rating task were evident. The findings suggest that the effect of expertise is circumscribed and limited and supports the view that laypersons make trustworthy judges when evaluating the pitch accuracy of untrained singers.
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spelling pubmed-45503462015-09-01 Layman versus Professional Musician: Who Makes the Better Judge? Larrouy-Maestri, Pauline Magis, David Grabenhorst, Matthias Morsomme, Dominique PLoS One Research Article The increasing number of casting shows and talent contests in the media over the past years suggests a public interest in rating the quality of vocal performances. In many of these formats, laymen alongside music experts act as judges. Whereas experts' judgments are considered objective and reliable when it comes to evaluating singing voice, little is known about laymen’s ability to evaluate peers. On the one hand, layman listeners–who by definition did not have any formal training or regular musical practice–are known to have internalized the musical rules on which singing accuracy is based. On the other hand, layman listeners’ judgment of their own vocal skills is highly inaccurate. Also, when compared with that of music experts, their level of competence in pitch perception has proven limited. The present study investigates laypersons' ability to objectively evaluate melodies performed by untrained singers. For this purpose, laymen listeners were asked to judge sung melodies. The results were compared with those of music experts who had performed the same task in a previous study. Interestingly, the findings show a high objectivity and reliability in layman listeners. Whereas both the laymen's and experts' definition of pitch accuracy overlap, differences regarding the musical criteria employed in the rating task were evident. The findings suggest that the effect of expertise is circumscribed and limited and supports the view that laypersons make trustworthy judges when evaluating the pitch accuracy of untrained singers. Public Library of Science 2015-08-26 /pmc/articles/PMC4550346/ /pubmed/26308213 http://dx.doi.org/10.1371/journal.pone.0135394 Text en © 2015 Larrouy-Maestri et al http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are properly credited.
spellingShingle Research Article
Larrouy-Maestri, Pauline
Magis, David
Grabenhorst, Matthias
Morsomme, Dominique
Layman versus Professional Musician: Who Makes the Better Judge?
title Layman versus Professional Musician: Who Makes the Better Judge?
title_full Layman versus Professional Musician: Who Makes the Better Judge?
title_fullStr Layman versus Professional Musician: Who Makes the Better Judge?
title_full_unstemmed Layman versus Professional Musician: Who Makes the Better Judge?
title_short Layman versus Professional Musician: Who Makes the Better Judge?
title_sort layman versus professional musician: who makes the better judge?
topic Research Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4550346/
https://www.ncbi.nlm.nih.gov/pubmed/26308213
http://dx.doi.org/10.1371/journal.pone.0135394
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