Cargando…

Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing

Children using unilateral cochlear implants abnormally rely on tempo rather than mode cues to distinguish whether a musical piece is happy or sad. This led us to question how this judgment is affected by the type of experience in early auditory development. We hypothesized that judgments of the emot...

Descripción completa

Detalles Bibliográficos
Autores principales: Giannantonio, Sara, Polonenko, Melissa J., Papsin, Blake C., Paludetti, Gaetano, Gordon, Karen A.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Public Library of Science 2015
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4552689/
https://www.ncbi.nlm.nih.gov/pubmed/26317976
http://dx.doi.org/10.1371/journal.pone.0136685
_version_ 1782387768046911488
author Giannantonio, Sara
Polonenko, Melissa J.
Papsin, Blake C.
Paludetti, Gaetano
Gordon, Karen A.
author_facet Giannantonio, Sara
Polonenko, Melissa J.
Papsin, Blake C.
Paludetti, Gaetano
Gordon, Karen A.
author_sort Giannantonio, Sara
collection PubMed
description Children using unilateral cochlear implants abnormally rely on tempo rather than mode cues to distinguish whether a musical piece is happy or sad. This led us to question how this judgment is affected by the type of experience in early auditory development. We hypothesized that judgments of the emotional content of music would vary by the type and duration of access to sound in early life due to deafness, altered perception of musical cues through new ways of using auditory prostheses bilaterally, and formal music training during childhood. Seventy-five participants completed the Montreal Emotion Identification Test. Thirty-three had normal hearing (aged 6.6 to 40.0 years) and 42 children had hearing loss and used bilateral auditory prostheses (31 bilaterally implanted and 11 unilaterally implanted with contralateral hearing aid use). Reaction time and accuracy were measured. Accurate judgment of emotion in music was achieved across ages and musical experience. Musical training accentuated the reliance on mode cues which developed with age in the normal hearing group. Degrading pitch cues through cochlear implant-mediated hearing induced greater reliance on tempo cues, but mode cues grew in salience when at least partial acoustic information was available through some residual hearing in the contralateral ear. Finally, when pitch cues were experimentally distorted to represent cochlear implant hearing, individuals with normal hearing (including those with musical training) switched to an abnormal dependence on tempo cues. The data indicate that, in a western culture, access to acoustic hearing in early life promotes a preference for mode rather than tempo cues which is enhanced by musical training. The challenge to these preferred strategies during cochlear implant hearing (simulated and real), regardless of musical training, suggests that access to pitch cues for children with hearing loss must be improved by preservation of residual hearing and improvements in cochlear implant technology.
format Online
Article
Text
id pubmed-4552689
institution National Center for Biotechnology Information
language English
publishDate 2015
publisher Public Library of Science
record_format MEDLINE/PubMed
spelling pubmed-45526892015-09-10 Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing Giannantonio, Sara Polonenko, Melissa J. Papsin, Blake C. Paludetti, Gaetano Gordon, Karen A. PLoS One Research Article Children using unilateral cochlear implants abnormally rely on tempo rather than mode cues to distinguish whether a musical piece is happy or sad. This led us to question how this judgment is affected by the type of experience in early auditory development. We hypothesized that judgments of the emotional content of music would vary by the type and duration of access to sound in early life due to deafness, altered perception of musical cues through new ways of using auditory prostheses bilaterally, and formal music training during childhood. Seventy-five participants completed the Montreal Emotion Identification Test. Thirty-three had normal hearing (aged 6.6 to 40.0 years) and 42 children had hearing loss and used bilateral auditory prostheses (31 bilaterally implanted and 11 unilaterally implanted with contralateral hearing aid use). Reaction time and accuracy were measured. Accurate judgment of emotion in music was achieved across ages and musical experience. Musical training accentuated the reliance on mode cues which developed with age in the normal hearing group. Degrading pitch cues through cochlear implant-mediated hearing induced greater reliance on tempo cues, but mode cues grew in salience when at least partial acoustic information was available through some residual hearing in the contralateral ear. Finally, when pitch cues were experimentally distorted to represent cochlear implant hearing, individuals with normal hearing (including those with musical training) switched to an abnormal dependence on tempo cues. The data indicate that, in a western culture, access to acoustic hearing in early life promotes a preference for mode rather than tempo cues which is enhanced by musical training. The challenge to these preferred strategies during cochlear implant hearing (simulated and real), regardless of musical training, suggests that access to pitch cues for children with hearing loss must be improved by preservation of residual hearing and improvements in cochlear implant technology. Public Library of Science 2015-08-28 /pmc/articles/PMC4552689/ /pubmed/26317976 http://dx.doi.org/10.1371/journal.pone.0136685 Text en © 2015 Giannantonio et al http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are properly credited.
spellingShingle Research Article
Giannantonio, Sara
Polonenko, Melissa J.
Papsin, Blake C.
Paludetti, Gaetano
Gordon, Karen A.
Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing
title Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing
title_full Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing
title_fullStr Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing
title_full_unstemmed Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing
title_short Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing
title_sort experience changes how emotion in music is judged: evidence from children listening with bilateral cochlear implants, bimodal devices, and normal hearing
topic Research Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4552689/
https://www.ncbi.nlm.nih.gov/pubmed/26317976
http://dx.doi.org/10.1371/journal.pone.0136685
work_keys_str_mv AT giannantoniosara experiencechangeshowemotioninmusicisjudgedevidencefromchildrenlisteningwithbilateralcochlearimplantsbimodaldevicesandnormalhearing
AT polonenkomelissaj experiencechangeshowemotioninmusicisjudgedevidencefromchildrenlisteningwithbilateralcochlearimplantsbimodaldevicesandnormalhearing
AT papsinblakec experiencechangeshowemotioninmusicisjudgedevidencefromchildrenlisteningwithbilateralcochlearimplantsbimodaldevicesandnormalhearing
AT paludettigaetano experiencechangeshowemotioninmusicisjudgedevidencefromchildrenlisteningwithbilateralcochlearimplantsbimodaldevicesandnormalhearing
AT gordonkarena experiencechangeshowemotioninmusicisjudgedevidencefromchildrenlisteningwithbilateralcochlearimplantsbimodaldevicesandnormalhearing