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Beauty and the beholder: the role of visual sensitivity in visual preference

For centuries, the essence of aesthetic experience has remained one of the most intriguing mysteries for philosophers, artists, art historians and scientists alike. Recently, views emphasizing the link between aesthetics, perception and brain function have become increasingly prevalent (Ramachandran...

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Autores principales: Spehar, Branka, Wong, Solomon, van de Klundert, Sarah, Lui, Jessie, Clifford, Colin W. G., Taylor, Richard P.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2015
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4585069/
https://www.ncbi.nlm.nih.gov/pubmed/26441611
http://dx.doi.org/10.3389/fnhum.2015.00514
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author Spehar, Branka
Wong, Solomon
van de Klundert, Sarah
Lui, Jessie
Clifford, Colin W. G.
Taylor, Richard P.
author_facet Spehar, Branka
Wong, Solomon
van de Klundert, Sarah
Lui, Jessie
Clifford, Colin W. G.
Taylor, Richard P.
author_sort Spehar, Branka
collection PubMed
description For centuries, the essence of aesthetic experience has remained one of the most intriguing mysteries for philosophers, artists, art historians and scientists alike. Recently, views emphasizing the link between aesthetics, perception and brain function have become increasingly prevalent (Ramachandran and Hirstein, 1999; Zeki, 1999; Livingstone, 2002; Ishizu and Zeki, 2013). The link between art and the fractal-like structure of natural images has also been highlighted (Spehar et al., 2003; Graham and Field, 2007; Graham and Redies, 2010). Motivated by these claims and our previous findings that humans display a consistent preference across various images with fractal-like statistics, here we explore the possibility that observers’ preference for visual patterns might be related to their sensitivity for such patterns. We measure sensitivity to simple visual patterns (sine-wave gratings varying in spatial frequency and random textures with varying scaling exponent) and find that they are highly correlated with visual preferences exhibited by the same observers. Although we do not attempt to offer a comprehensive neural model of aesthetic experience, we demonstrate a strong relationship between visual sensitivity and preference for simple visual patterns. Broadly speaking, our results support assertions that there is a close relationship between aesthetic experience and the sensory coding of natural stimuli.
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spelling pubmed-45850692015-10-05 Beauty and the beholder: the role of visual sensitivity in visual preference Spehar, Branka Wong, Solomon van de Klundert, Sarah Lui, Jessie Clifford, Colin W. G. Taylor, Richard P. Front Hum Neurosci Neuroscience For centuries, the essence of aesthetic experience has remained one of the most intriguing mysteries for philosophers, artists, art historians and scientists alike. Recently, views emphasizing the link between aesthetics, perception and brain function have become increasingly prevalent (Ramachandran and Hirstein, 1999; Zeki, 1999; Livingstone, 2002; Ishizu and Zeki, 2013). The link between art and the fractal-like structure of natural images has also been highlighted (Spehar et al., 2003; Graham and Field, 2007; Graham and Redies, 2010). Motivated by these claims and our previous findings that humans display a consistent preference across various images with fractal-like statistics, here we explore the possibility that observers’ preference for visual patterns might be related to their sensitivity for such patterns. We measure sensitivity to simple visual patterns (sine-wave gratings varying in spatial frequency and random textures with varying scaling exponent) and find that they are highly correlated with visual preferences exhibited by the same observers. Although we do not attempt to offer a comprehensive neural model of aesthetic experience, we demonstrate a strong relationship between visual sensitivity and preference for simple visual patterns. Broadly speaking, our results support assertions that there is a close relationship between aesthetic experience and the sensory coding of natural stimuli. Frontiers Media S.A. 2015-09-23 /pmc/articles/PMC4585069/ /pubmed/26441611 http://dx.doi.org/10.3389/fnhum.2015.00514 Text en Copyright © 2015 Spehar, Wong, van de Klundert, Lui, Clifford and Taylor. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution and reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Neuroscience
Spehar, Branka
Wong, Solomon
van de Klundert, Sarah
Lui, Jessie
Clifford, Colin W. G.
Taylor, Richard P.
Beauty and the beholder: the role of visual sensitivity in visual preference
title Beauty and the beholder: the role of visual sensitivity in visual preference
title_full Beauty and the beholder: the role of visual sensitivity in visual preference
title_fullStr Beauty and the beholder: the role of visual sensitivity in visual preference
title_full_unstemmed Beauty and the beholder: the role of visual sensitivity in visual preference
title_short Beauty and the beholder: the role of visual sensitivity in visual preference
title_sort beauty and the beholder: the role of visual sensitivity in visual preference
topic Neuroscience
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4585069/
https://www.ncbi.nlm.nih.gov/pubmed/26441611
http://dx.doi.org/10.3389/fnhum.2015.00514
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