Cargando…

The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production

Studies comparing musicians and non-musicians have shown that musical training can improve rhythmic perception and production. These findings tell us that training can result in rhythm processing advantages, but they do not tell us whether practicing a particular instrument could lead to specific ef...

Descripción completa

Detalles Bibliográficos
Autores principales: Matthews, Tomas E., Thibodeau, Joseph N. L., Gunther, Brian P., Penhune, Virginia B.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2016
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4737902/
https://www.ncbi.nlm.nih.gov/pubmed/26869969
http://dx.doi.org/10.3389/fpsyg.2016.00069
_version_ 1782413544191426560
author Matthews, Tomas E.
Thibodeau, Joseph N. L.
Gunther, Brian P.
Penhune, Virginia B.
author_facet Matthews, Tomas E.
Thibodeau, Joseph N. L.
Gunther, Brian P.
Penhune, Virginia B.
author_sort Matthews, Tomas E.
collection PubMed
description Studies comparing musicians and non-musicians have shown that musical training can improve rhythmic perception and production. These findings tell us that training can result in rhythm processing advantages, but they do not tell us whether practicing a particular instrument could lead to specific effects on rhythm perception or production. The current study used a battery of four rhythm perception and production tasks that were designed to test both higher- and lower-level aspects of rhythm processing. Four groups of musicians (drummers, singers, pianists, string players) and a control group of non-musicians were tested. Within-task differences in performance showed that factors such as meter, metrical complexity, tempo, and beat phase significantly affected the ability to perceive and synchronize taps to a rhythm or beat. Musicians showed better performance on all rhythm tasks compared to non-musicians. Interestingly, our results revealed no significant differences between musician groups for the vast majority of task measures. This was despite the fact that all musicians were selected to have the majority of their training on the target instrument, had on average more than 10 years of experience on their instrument, and were currently practicing. These results suggest that general musical experience is more important than specialized musical experience with regards to perception and production of rhythms.
format Online
Article
Text
id pubmed-4737902
institution National Center for Biotechnology Information
language English
publishDate 2016
publisher Frontiers Media S.A.
record_format MEDLINE/PubMed
spelling pubmed-47379022016-02-11 The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production Matthews, Tomas E. Thibodeau, Joseph N. L. Gunther, Brian P. Penhune, Virginia B. Front Psychol Psychology Studies comparing musicians and non-musicians have shown that musical training can improve rhythmic perception and production. These findings tell us that training can result in rhythm processing advantages, but they do not tell us whether practicing a particular instrument could lead to specific effects on rhythm perception or production. The current study used a battery of four rhythm perception and production tasks that were designed to test both higher- and lower-level aspects of rhythm processing. Four groups of musicians (drummers, singers, pianists, string players) and a control group of non-musicians were tested. Within-task differences in performance showed that factors such as meter, metrical complexity, tempo, and beat phase significantly affected the ability to perceive and synchronize taps to a rhythm or beat. Musicians showed better performance on all rhythm tasks compared to non-musicians. Interestingly, our results revealed no significant differences between musician groups for the vast majority of task measures. This was despite the fact that all musicians were selected to have the majority of their training on the target instrument, had on average more than 10 years of experience on their instrument, and were currently practicing. These results suggest that general musical experience is more important than specialized musical experience with regards to perception and production of rhythms. Frontiers Media S.A. 2016-02-03 /pmc/articles/PMC4737902/ /pubmed/26869969 http://dx.doi.org/10.3389/fpsyg.2016.00069 Text en Copyright © 2016 Matthews, Thibodeau, Gunther and Penhune. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Matthews, Tomas E.
Thibodeau, Joseph N. L.
Gunther, Brian P.
Penhune, Virginia B.
The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production
title The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production
title_full The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production
title_fullStr The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production
title_full_unstemmed The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production
title_short The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production
title_sort impact of instrument-specific musical training on rhythm perception and production
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4737902/
https://www.ncbi.nlm.nih.gov/pubmed/26869969
http://dx.doi.org/10.3389/fpsyg.2016.00069
work_keys_str_mv AT matthewstomase theimpactofinstrumentspecificmusicaltrainingonrhythmperceptionandproduction
AT thibodeaujosephnl theimpactofinstrumentspecificmusicaltrainingonrhythmperceptionandproduction
AT guntherbrianp theimpactofinstrumentspecificmusicaltrainingonrhythmperceptionandproduction
AT penhunevirginiab theimpactofinstrumentspecificmusicaltrainingonrhythmperceptionandproduction
AT matthewstomase impactofinstrumentspecificmusicaltrainingonrhythmperceptionandproduction
AT thibodeaujosephnl impactofinstrumentspecificmusicaltrainingonrhythmperceptionandproduction
AT guntherbrianp impactofinstrumentspecificmusicaltrainingonrhythmperceptionandproduction
AT penhunevirginiab impactofinstrumentspecificmusicaltrainingonrhythmperceptionandproduction