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Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion
The perception and production of biological movements is characterized by the 1/3 power law, a relation linking the curvature and the velocity of an intended action. In particular, motions are perceived and reproduced distorted when their kinematics deviate from this biological law. Whereas most stu...
Autores principales: | , , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Public Library of Science
2016
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4847762/ https://www.ncbi.nlm.nih.gov/pubmed/27119411 http://dx.doi.org/10.1371/journal.pone.0154475 |
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author | Thoret, Etienne Aramaki, Mitsuko Bringoux, Lionel Ystad, Sølvi Kronland-Martinet, Richard |
author_facet | Thoret, Etienne Aramaki, Mitsuko Bringoux, Lionel Ystad, Sølvi Kronland-Martinet, Richard |
author_sort | Thoret, Etienne |
collection | PubMed |
description | The perception and production of biological movements is characterized by the 1/3 power law, a relation linking the curvature and the velocity of an intended action. In particular, motions are perceived and reproduced distorted when their kinematics deviate from this biological law. Whereas most studies dealing with this perceptual-motor relation focused on visual or kinaesthetic modalities in a unimodal context, in this paper we show that auditory dynamics strikingly biases visuomotor processes. Biologically consistent or inconsistent circular visual motions were used in combination with circular or elliptical auditory motions. Auditory motions were synthesized friction sounds mimicking those produced by the friction of the pen on a paper when someone is drawing. Sounds were presented diotically and the auditory motion velocity was evoked through the friction sound timbre variations without any spatial cues. Remarkably, when subjects were asked to reproduce circular visual motion while listening to sounds that evoked elliptical kinematics without seeing their hand, they drew elliptical shapes. Moreover, distortion induced by inconsistent elliptical kinematics in both visual and auditory modalities added up linearly. These results bring to light the substantial role of auditory dynamics in the visuo-motor coupling in a multisensory context. |
format | Online Article Text |
id | pubmed-4847762 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2016 |
publisher | Public Library of Science |
record_format | MEDLINE/PubMed |
spelling | pubmed-48477622016-05-07 Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion Thoret, Etienne Aramaki, Mitsuko Bringoux, Lionel Ystad, Sølvi Kronland-Martinet, Richard PLoS One Research Article The perception and production of biological movements is characterized by the 1/3 power law, a relation linking the curvature and the velocity of an intended action. In particular, motions are perceived and reproduced distorted when their kinematics deviate from this biological law. Whereas most studies dealing with this perceptual-motor relation focused on visual or kinaesthetic modalities in a unimodal context, in this paper we show that auditory dynamics strikingly biases visuomotor processes. Biologically consistent or inconsistent circular visual motions were used in combination with circular or elliptical auditory motions. Auditory motions were synthesized friction sounds mimicking those produced by the friction of the pen on a paper when someone is drawing. Sounds were presented diotically and the auditory motion velocity was evoked through the friction sound timbre variations without any spatial cues. Remarkably, when subjects were asked to reproduce circular visual motion while listening to sounds that evoked elliptical kinematics without seeing their hand, they drew elliptical shapes. Moreover, distortion induced by inconsistent elliptical kinematics in both visual and auditory modalities added up linearly. These results bring to light the substantial role of auditory dynamics in the visuo-motor coupling in a multisensory context. Public Library of Science 2016-04-27 /pmc/articles/PMC4847762/ /pubmed/27119411 http://dx.doi.org/10.1371/journal.pone.0154475 Text en © 2016 Thoret et al http://creativecommons.org/licenses/by/4.0/ This is an open access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/) , which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. |
spellingShingle | Research Article Thoret, Etienne Aramaki, Mitsuko Bringoux, Lionel Ystad, Sølvi Kronland-Martinet, Richard Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion |
title | Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion |
title_full | Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion |
title_fullStr | Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion |
title_full_unstemmed | Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion |
title_short | Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion |
title_sort | seeing circles and drawing ellipses: when sound biases reproduction of visual motion |
topic | Research Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4847762/ https://www.ncbi.nlm.nih.gov/pubmed/27119411 http://dx.doi.org/10.1371/journal.pone.0154475 |
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