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Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion

The perception and production of biological movements is characterized by the 1/3 power law, a relation linking the curvature and the velocity of an intended action. In particular, motions are perceived and reproduced distorted when their kinematics deviate from this biological law. Whereas most stu...

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Autores principales: Thoret, Etienne, Aramaki, Mitsuko, Bringoux, Lionel, Ystad, Sølvi, Kronland-Martinet, Richard
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Public Library of Science 2016
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4847762/
https://www.ncbi.nlm.nih.gov/pubmed/27119411
http://dx.doi.org/10.1371/journal.pone.0154475
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author Thoret, Etienne
Aramaki, Mitsuko
Bringoux, Lionel
Ystad, Sølvi
Kronland-Martinet, Richard
author_facet Thoret, Etienne
Aramaki, Mitsuko
Bringoux, Lionel
Ystad, Sølvi
Kronland-Martinet, Richard
author_sort Thoret, Etienne
collection PubMed
description The perception and production of biological movements is characterized by the 1/3 power law, a relation linking the curvature and the velocity of an intended action. In particular, motions are perceived and reproduced distorted when their kinematics deviate from this biological law. Whereas most studies dealing with this perceptual-motor relation focused on visual or kinaesthetic modalities in a unimodal context, in this paper we show that auditory dynamics strikingly biases visuomotor processes. Biologically consistent or inconsistent circular visual motions were used in combination with circular or elliptical auditory motions. Auditory motions were synthesized friction sounds mimicking those produced by the friction of the pen on a paper when someone is drawing. Sounds were presented diotically and the auditory motion velocity was evoked through the friction sound timbre variations without any spatial cues. Remarkably, when subjects were asked to reproduce circular visual motion while listening to sounds that evoked elliptical kinematics without seeing their hand, they drew elliptical shapes. Moreover, distortion induced by inconsistent elliptical kinematics in both visual and auditory modalities added up linearly. These results bring to light the substantial role of auditory dynamics in the visuo-motor coupling in a multisensory context.
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spelling pubmed-48477622016-05-07 Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion Thoret, Etienne Aramaki, Mitsuko Bringoux, Lionel Ystad, Sølvi Kronland-Martinet, Richard PLoS One Research Article The perception and production of biological movements is characterized by the 1/3 power law, a relation linking the curvature and the velocity of an intended action. In particular, motions are perceived and reproduced distorted when their kinematics deviate from this biological law. Whereas most studies dealing with this perceptual-motor relation focused on visual or kinaesthetic modalities in a unimodal context, in this paper we show that auditory dynamics strikingly biases visuomotor processes. Biologically consistent or inconsistent circular visual motions were used in combination with circular or elliptical auditory motions. Auditory motions were synthesized friction sounds mimicking those produced by the friction of the pen on a paper when someone is drawing. Sounds were presented diotically and the auditory motion velocity was evoked through the friction sound timbre variations without any spatial cues. Remarkably, when subjects were asked to reproduce circular visual motion while listening to sounds that evoked elliptical kinematics without seeing their hand, they drew elliptical shapes. Moreover, distortion induced by inconsistent elliptical kinematics in both visual and auditory modalities added up linearly. These results bring to light the substantial role of auditory dynamics in the visuo-motor coupling in a multisensory context. Public Library of Science 2016-04-27 /pmc/articles/PMC4847762/ /pubmed/27119411 http://dx.doi.org/10.1371/journal.pone.0154475 Text en © 2016 Thoret et al http://creativecommons.org/licenses/by/4.0/ This is an open access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/) , which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
spellingShingle Research Article
Thoret, Etienne
Aramaki, Mitsuko
Bringoux, Lionel
Ystad, Sølvi
Kronland-Martinet, Richard
Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion
title Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion
title_full Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion
title_fullStr Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion
title_full_unstemmed Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion
title_short Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion
title_sort seeing circles and drawing ellipses: when sound biases reproduction of visual motion
topic Research Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4847762/
https://www.ncbi.nlm.nih.gov/pubmed/27119411
http://dx.doi.org/10.1371/journal.pone.0154475
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