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Distortion product otoacoustic emissions in college music majors and nonmusic majors

The presence and absence of distortion product otoacoustic emissions (DPOAEs) as well as DPOAE amplitudes were compared between college music majors and a control group of nonmusic majors. Participants included 28 music majors and 35 nonmusic majors enrolled at a university with ages ranging from 18...

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Autores principales: Henning, Rebecca L. Warner, Bobholz, Kate
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Medknow Publications & Media Pvt Ltd 2016
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4918677/
https://www.ncbi.nlm.nih.gov/pubmed/26780957
http://dx.doi.org/10.4103/1463-1741.174372
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author Henning, Rebecca L. Warner
Bobholz, Kate
author_facet Henning, Rebecca L. Warner
Bobholz, Kate
author_sort Henning, Rebecca L. Warner
collection PubMed
description The presence and absence of distortion product otoacoustic emissions (DPOAEs) as well as DPOAE amplitudes were compared between college music majors and a control group of nonmusic majors. Participants included 28 music majors and 35 nonmusic majors enrolled at a university with ages ranging from 18-25 years. DPOAEs and hearing thresholds were measured bilaterally on all the participants. DPOAE amplitudes were analyzed at the following f2 frequencies: 1,187 Hz, 1,500 Hz, 1,906 Hz, 2,531 Hz, 3,031 Hz, 3812 Hz, 4,812 Hz, and 6,031 Hz. Significantly more music majors (7/28) than nonmusic majors (0/35) exhibited absent DPOAEs for at least one frequency in at least one ear. Both groups of students reported similar histories of recreational and occupational noise exposures that were unrelated to studying music, and none of the students reported high levels of noise exposure within the previous 48 h. There were no differences in audiometric thresholds between the groups at any frequency. At DPOAE f2 frequencies from 3,031 Hz to 6,031 Hz, nonsignificantly lower amplitudes of 2-4 dB were seen in the right ears of music majors versus nonmajors, and in the right ears of music majors playing brass instruments compared to music majors playing nonbrass instruments. Given the greater prevalence of absent DPOAEs in university music majors compared to nonmusic majors, it appears that early stages of cochlear damage may be occurring in this population. Additional research, preferably longitudinal and across multiple colleges/universities, would be beneficial to more definitively determine when the music students begin to show signs of cochlear damage, and to identify whether any particular subgroups of music majors are at a greater risk of cochlear damage.
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spelling pubmed-49186772016-07-14 Distortion product otoacoustic emissions in college music majors and nonmusic majors Henning, Rebecca L. Warner Bobholz, Kate Noise Health Original Article The presence and absence of distortion product otoacoustic emissions (DPOAEs) as well as DPOAE amplitudes were compared between college music majors and a control group of nonmusic majors. Participants included 28 music majors and 35 nonmusic majors enrolled at a university with ages ranging from 18-25 years. DPOAEs and hearing thresholds were measured bilaterally on all the participants. DPOAE amplitudes were analyzed at the following f2 frequencies: 1,187 Hz, 1,500 Hz, 1,906 Hz, 2,531 Hz, 3,031 Hz, 3812 Hz, 4,812 Hz, and 6,031 Hz. Significantly more music majors (7/28) than nonmusic majors (0/35) exhibited absent DPOAEs for at least one frequency in at least one ear. Both groups of students reported similar histories of recreational and occupational noise exposures that were unrelated to studying music, and none of the students reported high levels of noise exposure within the previous 48 h. There were no differences in audiometric thresholds between the groups at any frequency. At DPOAE f2 frequencies from 3,031 Hz to 6,031 Hz, nonsignificantly lower amplitudes of 2-4 dB were seen in the right ears of music majors versus nonmajors, and in the right ears of music majors playing brass instruments compared to music majors playing nonbrass instruments. Given the greater prevalence of absent DPOAEs in university music majors compared to nonmusic majors, it appears that early stages of cochlear damage may be occurring in this population. Additional research, preferably longitudinal and across multiple colleges/universities, would be beneficial to more definitively determine when the music students begin to show signs of cochlear damage, and to identify whether any particular subgroups of music majors are at a greater risk of cochlear damage. Medknow Publications & Media Pvt Ltd 2016 /pmc/articles/PMC4918677/ /pubmed/26780957 http://dx.doi.org/10.4103/1463-1741.174372 Text en Copyright: © 2016 Noise & Health http://creativecommons.org/licenses/by-nc-sa/3.0 This is an open access article distributed under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 License, which allows others to remix, tweak, and build upon the work non-commercially, as long as the author is credited and the new creations are licensed under the identical terms.
spellingShingle Original Article
Henning, Rebecca L. Warner
Bobholz, Kate
Distortion product otoacoustic emissions in college music majors and nonmusic majors
title Distortion product otoacoustic emissions in college music majors and nonmusic majors
title_full Distortion product otoacoustic emissions in college music majors and nonmusic majors
title_fullStr Distortion product otoacoustic emissions in college music majors and nonmusic majors
title_full_unstemmed Distortion product otoacoustic emissions in college music majors and nonmusic majors
title_short Distortion product otoacoustic emissions in college music majors and nonmusic majors
title_sort distortion product otoacoustic emissions in college music majors and nonmusic majors
topic Original Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4918677/
https://www.ncbi.nlm.nih.gov/pubmed/26780957
http://dx.doi.org/10.4103/1463-1741.174372
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