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Eye Movements during Art Appreciation by Students Taking a Photo Creation Course

Previous studies have focused on the differences in the art appreciation process between individuals, and indicated that novice viewers of artworks, in comparison to experts, rarely consider the creation process of the artwork or how this may relate to style. However, behavioral changes in individua...

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Autores principales: Ishiguro, Chiaki, Yokosawa, Kazuhiko, Okada, Takeshi
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2016
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4943949/
https://www.ncbi.nlm.nih.gov/pubmed/27471485
http://dx.doi.org/10.3389/fpsyg.2016.01074
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author Ishiguro, Chiaki
Yokosawa, Kazuhiko
Okada, Takeshi
author_facet Ishiguro, Chiaki
Yokosawa, Kazuhiko
Okada, Takeshi
author_sort Ishiguro, Chiaki
collection PubMed
description Previous studies have focused on the differences in the art appreciation process between individuals, and indicated that novice viewers of artworks, in comparison to experts, rarely consider the creation process of the artwork or how this may relate to style. However, behavioral changes in individuals after educational interventions have not been examined. Art education researchers claim that technical knowledge and creation experiences help novice viewers to pay attention to technical features of artwork. Therefore, an artistic photo creation course was designed and conducted to help students acquire techniques and procedural knowledge of photo creation. The present study verified whether students' viewing strategies during appreciation of photographs changed after the course. Twenty-one students participated in two sessions, viewing the same 12 photographs before and after the course. Based on the analysis of recorded eye movements, the results indicated that the students' perceptual exploration became more active with photographs containing recognizable subjects (i.e., humans and objects), and their global saccades increased when they viewed classic photography, one of the categories of photography covered in the course. Interview data after the course indicated that students became aware of the technical effects in photographs. These results suggest that students' viewing strategies may change following a course, as assessed by behavioral measures of eye movements. Further examination is needed to validate this approach to educational effect measurement.
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spelling pubmed-49439492016-07-28 Eye Movements during Art Appreciation by Students Taking a Photo Creation Course Ishiguro, Chiaki Yokosawa, Kazuhiko Okada, Takeshi Front Psychol Psychology Previous studies have focused on the differences in the art appreciation process between individuals, and indicated that novice viewers of artworks, in comparison to experts, rarely consider the creation process of the artwork or how this may relate to style. However, behavioral changes in individuals after educational interventions have not been examined. Art education researchers claim that technical knowledge and creation experiences help novice viewers to pay attention to technical features of artwork. Therefore, an artistic photo creation course was designed and conducted to help students acquire techniques and procedural knowledge of photo creation. The present study verified whether students' viewing strategies during appreciation of photographs changed after the course. Twenty-one students participated in two sessions, viewing the same 12 photographs before and after the course. Based on the analysis of recorded eye movements, the results indicated that the students' perceptual exploration became more active with photographs containing recognizable subjects (i.e., humans and objects), and their global saccades increased when they viewed classic photography, one of the categories of photography covered in the course. Interview data after the course indicated that students became aware of the technical effects in photographs. These results suggest that students' viewing strategies may change following a course, as assessed by behavioral measures of eye movements. Further examination is needed to validate this approach to educational effect measurement. Frontiers Media S.A. 2016-07-14 /pmc/articles/PMC4943949/ /pubmed/27471485 http://dx.doi.org/10.3389/fpsyg.2016.01074 Text en Copyright © 2016 Ishiguro, Yokosawa and Okada. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Ishiguro, Chiaki
Yokosawa, Kazuhiko
Okada, Takeshi
Eye Movements during Art Appreciation by Students Taking a Photo Creation Course
title Eye Movements during Art Appreciation by Students Taking a Photo Creation Course
title_full Eye Movements during Art Appreciation by Students Taking a Photo Creation Course
title_fullStr Eye Movements during Art Appreciation by Students Taking a Photo Creation Course
title_full_unstemmed Eye Movements during Art Appreciation by Students Taking a Photo Creation Course
title_short Eye Movements during Art Appreciation by Students Taking a Photo Creation Course
title_sort eye movements during art appreciation by students taking a photo creation course
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4943949/
https://www.ncbi.nlm.nih.gov/pubmed/27471485
http://dx.doi.org/10.3389/fpsyg.2016.01074
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